Learn Clawhammer Banjo

Banjo Lessons for the Adult Beginner

  • About
    • Getting Started With Clawhammer Banjo – What You Need To Know
    • What is the Brainjo Method?
    • How To Play Clawhammer Banjo in 8 Essential Steps (free course)
  • Tabs
    • THE VAULT: The Ultimate Clawhammer TAB LIBRARY
      • The Vault Login
    • Clawhammer Tune and Tab of the Week
    • This Week’s SONG and TAB
    • The Clawhammer TOP 10 tunes
    • This Week’s TUNE and TAB
    • 9 Ways to Practice Smarter (FREE book)
  • Banjos!
    • The “BANJO PLAYER’S BANJO”
    • Brainjo SHIRTS!
  • Breakthrough Banjo
    • Login to Course
    • Breakthrough Banjo Course Tour
    • About the Course
    • SIGN UP
    • Course Home

Clawhammer Tune of the Week: “Yellow Rose of Texas”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab


Some of you may wonder how this one ended up in the “tune” – and not “song” – of the week series. In other words, why am I not singing this one?

Most familiar with this American standard will know that it has words, and you may even know how to sing them.

But that’s because what you hear today is the “fiddle tune” version of this popular melody.

(RELATED: For all the clawhammer banjo fans who’ve been contemplating a foray into the fiddle, now’s your chance! Brainjo has just launched “Fiddle for All,” a complete step-by-step course for learning old-time fiddle based on the Brainjo Method of instruction. Click here to learn more about “Fiddle for All”.)

You see, some of our traditional fiddle tunes were originally composed on the instrument, for the instrument.

Others, however, are adaptations – popular songs transformed into fiddle tunes. If those transformations catch on, they can take on a parallel musical life of their own.

“The Yellow Rose of Texas” is one such adaptation. While this melody was originally written with lyrics, and first published in the 1850s, the rendition you hear today is typically played unadorned. This would also explain it’s setting in the key of D, which makes it quite the vocal stretch for anyone in possession of the pitch-lowering properties of a Y chromosome.

 


(NOTE: For those considering acquiring a Brainjo banjo, this one is played on a “Tommy” model. Click here if you’d like to learn more, or claim one in the next batch.)


The Yellow Rose of Texas

aDADE tuning, Brainjo level 3

the yellow rose of texas clawhammer banjo tab

Notes on the Tab

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

[RELATED: Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

 

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

 

Coming in 2018 from Brainjo!

So now that the dust has settled from the rush of the holidays and we’ve fully settled into the rhythms of a new year, it’s time to share with you what sorts of things are in store from the world of Brainjo in 2018.

2017 brought the launch of the long awaited fingerstyle course. And in 2018 – in a matter of a few days – we’ll have a new course to add to the mix! One that’s been over 2 years in the making, and one I’m thrilled to finally get to share.

 

Thing #1 – The Brainjo Method tackles a new instrument, with the help of an incredible instructor.

After taking up the fiddle several years ago, I soon realized that the world was lacking a comprehensive source of instruction on the topic. Even though I had the advantage of prior musical experience, and a dependable approach to learning that I could rely upon, there were still many fits and starts in my own learning journey.

It’s no wonder then that the fiddle has the reputation that it does.

I don’t think it should be that way. Besides, the best way to ensure that this wonderful tradition lives and grows is to give aspiring fiddlers the tools they need to be successful (it is an incredibly fun instrument to play as well).

So, it brings me great pleasure to announce that next week will bring the launch of “Fiddle for All,” a comprehensive, step by step course for learning to play the fiddle, based on the Brainjo Method of instruction.

But it gets even better! Because we have none other than the inimitable Adam Hurt as the lead instructor for the course (those familiar with Adam’s music and, more importantly, his teaching ability, will understand why I’m so thrilled).

This course has been over two years in the making, so I can’t wait for it to finally see the light of day. It’s the course I would’ve loved to have had 5 years ago.

And, there’s a reason fiddle and banjo are like peas and carrots, and there’s a reason so many clawhammer banjoists are also adept sawstrokers (one of the best things I ever did for my banjo playing was learning to play the fiddle).

So, if you’ve ever had the inclination to give the devil’s box a whirl, it’s never been a better time to rosin up a bow and get started (and no, you are not too old).

Click here to learn more about the Fiddle for All course. Register before launch day and you’ll get an extra two weeks in the $7 trial period.

 

Thing #2 – The Ear Laboratory experiments will begin. 

As you may know, one of the goals of the Breakthrough Banjo course is to lead folks down the path to musical fluency, or the ability to take imagined sounds in their minds and play them on their instrument.

Doing such a thing requires a fully developed ability to play by ear.

The course already includes multiple modules for those purposes, including how to hear chord changes, how to pick out melodies by ear, and how to build a clawhammer arrangement of any song from scratch.

But this year I’m also adding the Ear Laboratory, a space dedicated to reinforcing those abilities.

As you may know, I create all the tabs for the tune and song of the week courses, and the laboratory will include step by step videos how to create arrangements, by ear, from scratch.

Non-members will be pleased to know that I’ll be doing this from time to time from the tunes in our tune and song of the week series as well. And the first installment is coming soon!

 

Thing #3 – More Brainjos will be released into the world to satisfy voracious appetites for an affordable, handmade, sonorous delight.

2017 saw 48 Brainjo banjos released out into the wild to the delight of their owners, and production is being ramped up to hopefully bring even more into the world this year (at this moment, 4 spots are still open for the next batch, set to ship in April).

In addition, Tim and I are also developing a much needed model for the old time fingerpickers of the world. I hope to have more details soon!

(RELATED: Click here to learn more about the Brainjo banjos)

 

Thing #4 – The classics shall continue.

While shiny new objects are always hard to resist, it’s important to remember that the classics exist for a reason.

Fans of the tune and song of the week series, and the Laws of Brainjo, will be pleased to know that these will continue unabated.

There’s far too much music left to play and musical brain building knowledge still to share.

 

Thing #5 – Camp Brainjo returns!

November 2017 saw the first ever Camp Brainjo. With myself, Adam Hurt, and Luke Abbott as instructors and a delightful, enthusiastic group of Brainjo students, we convened in the foothills of the North Georgia mountain for what turned out to be an amazing few days.

It will be a tough act to follow. But, in 2018, we will try!

Almost all of our initial set of campers have claimed a spot for round two, so, in order to accommodate some new faces, I’m exploring the possibility of a larger camp, or possibly two camps, for 2018 (first priority will again go to existing Breakthrough Banjo members). I hope to have more details soon!

(Click here if you want to be on the Camp Brainjo wait list.)

 

Thing #6 – Last but not least, 2018 will be the year of banjofication.

First, a definition is in order.

banjofication

noun

  1. the act of equipping oneself with a banjo
  2. the process of bringing together the artificially segregated worlds of world of banjo into a cohesive, unstoppable force, allowing all those impacted to avail themselves to new worlds of sonic possibility and previously unrealized levels of auditory bliss.

 

Clawhammer, frailing, minstrel, old time 3 finger, old time 2 finger, index lead, thumb lead, Scruggs, Keith, Reno, melodic, single string, bluegrass, old time, etc….

While all of our various and asundry ways of classifying the music of the five string may have its utility, one of its major downsides, as you may heard me say before, is that it’s created arbitrary divisions amongst the world of banjoists. Divisions that, in multiple ways, limit players from fully exploring all the incredible things this instrument has to offer.

You may have noticed the union of clawhammer and fingerstyle in several recent Song of the Week installments (here and here, for example). You can expect much more along these lines this year!

(RELATED: If you’re interested in learning not one, but all, styles of fingerstyle using the Brainjo method, click here to learn more about the course.)

 

So, there you have it! It’s shaping up to be a most excellent year.

 

 

Clawhammer Song of the Week: “Pretty Polly”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab


I always find it a little hard to launch into a murder ballad without any type of preparatory remarks.

While I’m sure there was a time when the impulse to turn a cold, ghastly murder of an innocent (and in this case, pregnant, as the official story goes) woman into song was considered ordinary, these days it might come off a bit insensitive.

So, just for the record, I do not endorse cold blooded murder.

But really cool banjo tunes? Those I can get behind.

And this so happens to be a really cool banjo tune that’s about a murder. And murder ballads do happen to be a well established part of the Appalachian musical tradition.

This particular murder has been traced back to a story, known as “The Gosport Tragedy,” that was originally published in the 18th century, and based on real events. Our protagonists actual name was Molly.

In the early 20th century, Polly was reimagined as a banjo song in the states, and has remained a favorite of fans of the five. B.F. Shelton, Dock Boggs, Hobart Smith, Stringbean, and Ralph Stanley have all recorded their own distinctive version.

It’s one that’s equally beloved by frailers and fingerpickers, and you’ll note I included two fingerpicked “breaks” in this video.

(RELATED: If you’d like to learn 2 and 3 finger style banjo, click here to check out the Brainjo course for Fingerstyle Banjo).

Polly has even slipped into the mainstream of pop culture, including a performance by Kevin Spacey’s character on House of Cards.

(Click here for an incredibly detailed account of the history of and story behind Pretty Polly)

 

Notes on this Arrangement

Polly’s unsettling lyrics are further enhanced by the use of a “modal” scale. You’ll note here, though, that I’ve played it in standard G tuning (gDGBD).

It seems to be somewhat of a trend for bluegrassers to play this out of standard (which makes sense, since alternative tunings are less commonly employed), while clawhammerists often stick to G “modal” (gDGCD). But there’s no hard and fast rule here

(Breakthrough Banjo members will find that the Brainjo level 2 version included in The Vault is in G modal tuning).

Either tuning will work, though when playing out of standard, you may wish to avoid having the B string’s sympathetic vibrations ringing out (since it’s the B note in the G scale that gives the key it’s “major” sound). I address this by keeping the 2nd string fretted at the 3rd fret, to leave an ambiguous, neither major or minor G5 “power” chord (consisting of only G and D notes) ringing in the background. How much this is necessary will depend on the overall resonance, or “plunkiness,” of your instrument.

(NOTE: For those interested in the Brainjo banjos, and the tonal differences amongst the setup options, this particular song was played on a Tommy, which produces a wonderful clean and open tone with great note separation. Click here to learn more about the Brainjo banjos.)

Pretty Polly

gDGBD tuning, Brainjo level 3

Pretty Polly clawhammer banjo tab

 

Notes on the Tab

In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing.

Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”
  • Episode 34: “Big Rock Candy Mountains”
  • Episode 35: “Come to the Bower”
  • Episode 36: “Old Kentucky Home”
  • Episode 37: “Long Journey Home”
  • Episode 38: “Dixie”
  • Episode 39: “Hard Times”
  • Episode 40: “Corrina Corrina”
  • Episode 41: “She’ll Be Coming Round the Mountain”
  • Episode 42: “Johnson Boys”
  • Episode 43: “Bad Moon Rising”
  • Episode 44: “Reuben’s Train”
  • Episode 45: “Let the Mermaid’s Flirt With Me”
  • Episode 46: “Rocky Top”
  • Episode 47: “Groundhog”
  • Episode 48: “Lazy John”
  • Episode 49: “The Gambler”
  • Episode 50: “8 More Miles To Louisville”
  • Episode 51: “Who’ll Stop the Rain”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

Clawhammer Tune of the Week: “Big John McNeil”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab


This entry into the Tune of the Week we Americans owe to our friends north of the border.

As the story goes, “Big John McNeil,” aka “John McNeil’s Reel,” a bright and peppy fiddle tune, was written by Scottish fiddler Peter Milne, but somewhere along the way enter into the Canadian traditional fiddling, where it became a standard that endures to this day.

Missouri fiddler Cyrill Stinnett, upon hearing it on the radio, was apparently the first to import it into the US fiddling tradition.

And voila, by the magic of intercerebral humanoid transmission, this intangible algorithm of organized sound known as “Big John McNeil” spread itself to the minds of 3 fiddlers in 3 countries, separated by a large body of water. Magnificent.

Let the intercerebral transmission continue.

5th String As Melody

Note here that with the 2nd note of the 4th measure, we’re using the 5th string as a melody note. While most commonly used in the service of drone and rhythm, finding these instances where an off beat melody note falls on the pitch of the 5th string is a useful thing to be on the lookout for, especially if you enjoy the challenge of including as many of the fiddle’s melody notes as possible.


(NOTE: For those considering acquiring a Brainjo banjo, this one is played on a “Tommy” model. Click here if you’d like to learn more, or claim one in the next batch.)


Big John McNeil

aEAC#E tuning, Brainjo level 3-4

Big John McNeil clawhammer banjo tab part 1

Big John McNeil clawhammer banjo tab part 2
Notes on the Tab

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

[RELATED: Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

 

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

 

Clawhammer Song of the Week: “Who’ll Stop the Rain”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab


Today’s installment in the song of the week series has us diving once again into the Creedence Clearwater Revival repertoire to retrieve the song “Who’ll Stop the Rain?”

It may be my favorite of John Fogerty’s creations.

And while, for me, a good melody is almost always what draws me to a song, Fogerty’s lyrical gifts here are hard to ignore.

And those lyrics, which address the struggle to maintain hope in difficult times, or trying to find the sun in the midst of the storm, are just as meaningful today as they were when Fogerty penned them in 1969.

Ultimately, that hope is strengthened by recognizing the inherent goodness in all of us, made palpable when we share music together (quite literally, as Fogerty cites his experience at the Woodstock festival as the inspiration for this song).

And since no rendition of this song would be complete without the recurring acoustic guitar vamp between the G major and E minor chords that occurs between verses (and on the intro), here we’ll employ the services of the alternate string pull off to recreate it on the banjo.

Who’ll Stop the Rain

gDGBD tuning, Brainjo level 3

 

Notes on the Tab

In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing.

Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”
  • Episode 34: “Big Rock Candy Mountains”
  • Episode 35: “Come to the Bower”
  • Episode 36: “Old Kentucky Home”
  • Episode 37: “Long Journey Home”
  • Episode 38: “Dixie”
  • Episode 39: “Hard Times”
  • Episode 40: “Corrina Corrina”
  • Episode 41: “She’ll Be Coming Round the Mountain”
  • Episode 42: “Johnson Boys”
  • Episode 43: “Bad Moon Rising”
  • Episode 44: “Reuben’s Train”
  • Episode 45: “Let the Mermaid’s Flirt With Me”
  • Episode 46: “Rocky Top”
  • Episode 47: “Groundhog”
  • Episode 48: “Lazy John”
  • Episode 49: “The Gambler”
  • Episode 50: “8 More Miles To Louisville”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

  • « Previous Page
  • 1
  • …
  • 16
  • 17
  • 18
  • 19
  • 20
  • …
  • 71
  • Next Page »

Copyright 2024 - Brainjo LLC, Owner of clawhammerbanjo.net   Privacy Policy - Terms of Purchase - Terms & Conditions