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Banjo Lessons for the Adult Beginner

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2 for 1 Clawhammer Song/Tune and Tab of the Week: “Deep Ellum Blues” & “Cuckoo’s Nest

Click on the relevant buttons below to get the PDF download for this

Click Here To Get The Tab

Click Here To Get The Tab

These two selections, both songs part of the banjo tradition, and both with very different origin stories, highlight the rich reservoir of source material that’s part of the banjo tradition. 

“Cuckoo’s Nest” has clear origins in the old world as a dance tune, dating to at least the earliest 18th century, and appearing in the Selection of Scotch, English, Irish and Foreign Airs, vol. 1.

“Deep Ellum Blues,” on the other hand, was first recorded by the Cofer Brothers in 1923 under the band name The Georgia Crackers. The title refers to a town in Dallas, Texas that was home to musical legends Blind Lemon Jefferson, Blind Willie Johnson, Lead Belly, and Bill Neely. 

The title was originally “Deep Elm Blues,” but somewhere along the way “Elm” morphed into “Ellum,” presumably because singers found themselves in need of the extra syllable. 


(RELATED: The walk-through tutorials for “Deep Ellum Blues” and “Cuckoo’s Nest” are both available now in the Breakthrough Banjo workshop archives. Click here to learn more about the tab-walkthrough videos).


(NOTE: For those considering acquiring a Brainjo banjo, the banjo played in these videos is a “Hobart” model. Click here if you’d like to learn more, or claim one in the next batch.


“CUCKOO’S NEST”

aDADE tuning, Brainjo level 4

clawhammer banjo tab for "Cuckoo's Nest"

“DEEP ELLUM BLUES”

gCGCD tuning, Brainjo level 3-4

clawhammer banjo tab for "Deep Ellum Blues" part 1

clawhammer banjo tab for "Deep Ellum Blues" part 2

clawhammer banjo tab for "Deep Ellum Blues" part 3

 

Notes on the Tab In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing. Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject. For more on reading tabs in general, check out this complete guide to reading banjo tabs.

The Banjo Player’s Songbook – a free bonus with Breakthrough Banjo

Banjo Player's Songbook


The BANJO PLAYER’S SONGBOOK is a collection of over 50 classic songs for banjo, with the lyrics, chord progressions, and melody banjo tabs for each.

Click here to learn more and to see the full song list. 

 


 

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”
  • Episode 34: “Big Rock Candy Mountains”
  • Episode 35: “Come to the Bower”
  • Episode 36: “Old Kentucky Home”
  • Episode 37: “Long Journey Home”
  • Episode 38: “Dixie”
  • Episode 39: “Hard Times”
  • Episode 40: “Corrina Corrina”
  • Episode 41: “She’ll Be Coming Round the Mountain”
  • Episode 42: “Johnson Boys”
  • Episode 43: “Bad Moon Rising”
  • Episode 44: “Reuben’s Train”
  • Episode 45: “Let the Mermaid’s Flirt With Me”
  • Episode 46: “Rocky Top”
  • Episode 47: “Groundhog”
  • Episode 48: “Lazy John”
  • Episode 49: “The Gambler”
  • Episode 50: “8 More Miles To Louisville”
  • Episode 51: “Who’ll Stop the Rain”
  • Episode 52: “Pretty Polly”
  • Episode 53: “You Are My Sunshine”
  • Episode 54: “Old Molly Hare”
  • Episode 55: “The Miller’s Will”
  • Episode 56: “Walking Cane”
  • Episode 57: “Feast Here Tonight”
  • Episode 58 “Let Me Fall”
  • Episode 59: “Little Birdie”
  • Episode 60: “Train on the Island”
  • Episode 61: “Handsome Molly”
  • Episode 62: “Willie Moore”
  • Episode 63: “Tom Cat Blues”
  • Episode 64: “Big Eyed Rabbit”
  • Episode 65: “Jimmy Sutton”
  • Episode 66: “What Does the Deep Sea Say?”
  • Episode 67: “Shortnin’ Bread”
  • Episode 68: “Worried Man Blues”
  • Episode 69: “Who Broke the Lock?”
  • Episode 70: “Mole in the Ground”
  • Episode 71: “Fireball Mail”
  • Episode 72: “Nine Pound Hammer”
  • Episode 73: “Wreck of the Number Nine”
  • Episode 74: “Take Em Away”
  • Episode 75: “Man of Constant Sorrow”
  • Episode 76: “The Fox (went out on a chilly night)”
  • Episode 77: “Goin’ Down That Road Feelin’ Bad”
  • Episode 78: “God Rest Ye Merry Gentlemen”
  • Episode 79: “I Heard the Bluebirds Sing”
  • Episode 80: “Loch Lomond”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo
 
About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions

 

View the Brainjo Course Catalog

brainjo larger musical mind

Clawhammer Song and Tab of the Week: “Loch Lomond”

Click on the button below to get the PDF download for this

Click Here To Get The Tab

You take the high road, and I’ll take the low road,
And I’ll be in Scotland afore ye.
But me and my true love, will never meet again,
on the bonnie bonnie banks of Loch Lomond.

This week’s song, first published in 1841 in the book “Vocal Melodies of Scotland” and with a reach that has since extended far beyond its geographic origin, has been one of the most often requested over the years.

I played an instrumental-only version (in the tuning of ) as part of the Steve Martin’s clawhammer banjo medley. But it seemed a shame not to also present a singing version.

But what’s it all mean?!

A little historical background helps in decoding its lyrics. The song takes place just after the Battle of Culloden Moor where Scottish forces, led by legendary Bonnie Prince Charlie, attempted unsuccessfully to depose Britains’s King George II. The lyrics are delivered from the perspective of a soldier taken prisoner and set for execution, speaking to another who will be returning to Scotland alive (perhaps a lover, or a fellow comrade).

According to Celtic legend, the souls of those who die in a foreign land return to their homeland by way of the “low road.” Hence, he will take the low road back to his Scotland, and the banks of Loch Lomond, while his spared mate returns by the “high road” that mortals take.

Other helpful translation bits: “loch” = lake, “bonnie” = beautiful


(RELATED: The “How To Sing & Play” tutorial for this tune is now available in the Breakthrough Banjo workshop archives. Click here to learn more about the tab-walkthrough videos).


(NOTE: For those considering acquiring a Brainjo banjo, the banjo played in this video is a “Hobart” model. Click here if you’d like to learn more, or claim one in the next batch.


“LOCH LOMOND”

gCGCD tuning, Brainjo level 3

Loch Lomond clawhammer banjo tab part 1

Loch Lomond clawhammer banjo tab part 2

Notes on the Tab In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing. Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject. For more on reading tabs in general, check out this complete guide to reading banjo tabs.

The Banjo Player’s Songbook – a free bonus with Breakthrough Banjo

Banjo Player's Songbook


The BANJO PLAYER’S SONGBOOK is a collection of over 50 classic songs for banjo, with the lyrics, chord progressions, and melody banjo tabs for each.

Click here to learn more and to see the full song list. 

 


 

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”
  • Episode 34: “Big Rock Candy Mountains”
  • Episode 35: “Come to the Bower”
  • Episode 36: “Old Kentucky Home”
  • Episode 37: “Long Journey Home”
  • Episode 38: “Dixie”
  • Episode 39: “Hard Times”
  • Episode 40: “Corrina Corrina”
  • Episode 41: “She’ll Be Coming Round the Mountain”
  • Episode 42: “Johnson Boys”
  • Episode 43: “Bad Moon Rising”
  • Episode 44: “Reuben’s Train”
  • Episode 45: “Let the Mermaid’s Flirt With Me”
  • Episode 46: “Rocky Top”
  • Episode 47: “Groundhog”
  • Episode 48: “Lazy John”
  • Episode 49: “The Gambler”
  • Episode 50: “8 More Miles To Louisville”
  • Episode 51: “Who’ll Stop the Rain”
  • Episode 52: “Pretty Polly”
  • Episode 53: “You Are My Sunshine”
  • Episode 54: “Old Molly Hare”
  • Episode 55: “The Miller’s Will”
  • Episode 56: “Walking Cane”
  • Episode 57: “Feast Here Tonight”
  • Episode 58 “Let Me Fall”
  • Episode 59: “Little Birdie”
  • Episode 60: “Train on the Island”
  • Episode 61: “Handsome Molly”
  • Episode 62: “Willie Moore”
  • Episode 63: “Tom Cat Blues”
  • Episode 64: “Big Eyed Rabbit”
  • Episode 65: “Jimmy Sutton”
  • Episode 66: “What Does the Deep Sea Say?”
  • Episode 67: “Shortnin’ Bread”
  • Episode 68: “Worried Man Blues”
  • Episode 69: “Who Broke the Lock?”
  • Episode 70: “Mole in the Ground”
  • Episode 71: “Fireball Mail”
  • Episode 72: “Nine Pound Hammer”
  • Episode 73: “Wreck of the Number Nine”
  • Episode 74: “Take Em Away”
  • Episode 75: “Man of Constant Sorrow”
  • Episode 76: “The Fox (went out on a chilly night)”
  • Episode 77: “Goin’ Down That Road Feelin’ Bad”
  • Episode 78: “God Rest Ye Merry Gentlemen”
  • Episode 79: “I Heard the Bluebirds Sing”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo
 
About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions

 

View the Brainjo Course Catalog

brainjo larger musical mind

Clawhammer Tune of the Week: “Goodbye Girls I’m Goin’ To Boston”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab

I

Ionian.

Dorian.

Locrian.

Aeolian.

No, you haven’t accidentally stumbled your way into an esoteric discourse on Greek architecture.

You’ve stumbled your way into an equally esoteric discourse about musical “modes.”

What Mode Are You In?!?!

If you’ve been hanging out in the worlds of banjo or old-time music for very long, you’ve almost certainly heard the term “modal” a time or two. We play “modal” tunes. We put our banjos into “modal” tunings.

And banjos happen to sound really good in those modal tunings and playing those modal tunes. It seems like the kind of music banjos were born to play. Oftentimes, those modal tunes also sound like they came from a distant era – you can recognize the “modal” sound when you hear it, even if you can’t explain it further.

I imagine that, for most, that’s about the extent of your familiarity with the whole modal concept. If you’ve ever dug in deeper, you’ve probably found yourself knee-deep into music theory pretty quickly.

It can be a confusing subject, in part because of the terms we’ve chosen to use. We typically use the “modal” moniker to refer to tunes that don’t use the Ionian or Aeolian modes, which are common in contemporary Western music. Make sense? Of course not.

Using this definition, this week’s tune of the week installment, for example, is also technically a “modal” tune – in Mixolydian mode, to be precise. Yet, it doesn’t sound especially ancient or archaic, especially compared to some of our other “modal” favorites (e.g. Darling Cory or Pretty Polly). Perhaps because you find it – our modern ears are fairly used to that scale.

Ok, enough esoterica for one post!


(NOTE: For those considering acquiring a Brainjo banjo, the banjo played in this video is a “Hobart” model. Click here if you’d like to learn more, or claim one in the next batch.


 “GOODBYE GIRLS I’M GOIN’ TO BOSTON”

aEAC#E tuning, Brainjo level 3-4

Goodbye Girls I'm Goin' To Boston part 1

 

Goodbye Girls I'm Goin' To Boston part 2

 

Notes on the Tab

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

(RELATED: Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Click for the list of current TABS inside THE VAULT

 

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions

View the Brainjo Course Catalog

Clawhammer Song and Tab of the Week: “I Heard the Bluebirds Sing”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab


Years ago I heard John Grimm and Beverly Smith perform “I Heard the Bluebirds Sing” in concert. It was the first time I’d heard it, and I immediately fell in love with both the song and the performance. Great country duet harmony singing is hard to beat.

It wasn’t until recently when it occurred to me that my daughter Jules could provide the female vocal harmony that I decided to learn it on the banjo. Now it’s a keeper in our emerging set list.

The song, a recent inductee into the Canadian Songwriters Hall of Fame, was penned by Canadian songwriter Hod Pharis and first recorded in 1952 by Pharis and Little Anne. It didn’t achieve mainstream success, however, until it was released in 1957 by the American country trio, The Browns (the song had been discovered by none other than Chet Atkins, producer for The Browns).

It’s been covered many times over since, for reasons that are clearly apparent upon listening!

(RELATED: The “How To Sing & Play” tutorial for this tune is now available in the Breakthrough Banjo workshop archives. Click here to learn more about the tab-walkthrough videos).


(NOTE: For those considering acquiring a Brainjo banjo, the banjo played in this video is a “Hobart” model. Click here if you’d like to learn more, or claim one in the next batch.


“I HEARD THE BLUEBIRDS SING”

bEBEF# tuning, Brainjo level 3

 

Notes on the Tab In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing. Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject. For more on reading tabs in general, check out this complete guide to reading banjo tabs.

The Banjo Player’s Songbook – a free bonus with Breakthrough Banjo

Banjo Player's Songbook


The BANJO PLAYER’S SONGBOOK is a collection of over 50 classic songs for banjo, with the lyrics, chord progressions, and melody banjo tabs for each.

Click here to learn more and to see the full song list. 

 


PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”
  • Episode 34: “Big Rock Candy Mountains”
  • Episode 35: “Come to the Bower”
  • Episode 36: “Old Kentucky Home”
  • Episode 37: “Long Journey Home”
  • Episode 38: “Dixie”
  • Episode 39: “Hard Times”
  • Episode 40: “Corrina Corrina”
  • Episode 41: “She’ll Be Coming Round the Mountain”
  • Episode 42: “Johnson Boys”
  • Episode 43: “Bad Moon Rising”
  • Episode 44: “Reuben’s Train”
  • Episode 45: “Let the Mermaid’s Flirt With Me”
  • Episode 46: “Rocky Top”
  • Episode 47: “Groundhog”
  • Episode 48: “Lazy John”
  • Episode 49: “The Gambler”
  • Episode 50: “8 More Miles To Louisville”
  • Episode 51: “Who’ll Stop the Rain”
  • Episode 52: “Pretty Polly”
  • Episode 53: “You Are My Sunshine”
  • Episode 54: “Old Molly Hare”
  • Episode 55: “The Miller’s Will”
  • Episode 56: “Walking Cane”
  • Episode 57: “Feast Here Tonight”
  • Episode 58 “Let Me Fall”
  • Episode 59: “Little Birdie”
  • Episode 60: “Train on the Island”
  • Episode 61: “Handsome Molly”
  • Episode 62: “Willie Moore”
  • Episode 63: “Tom Cat Blues”
  • Episode 64: “Big Eyed Rabbit”
  • Episode 65: “Jimmy Sutton”
  • Episode 66: “What Does the Deep Sea Say?”
  • Episode 67: “Shortnin’ Bread”
  • Episode 68: “Worried Man Blues”
  • Episode 69: “Who Broke the Lock?”
  • Episode 70: “Mole in the Ground”
  • Episode 71: “Fireball Mail”
  • Episode 72: “Nine Pound Hammer”
  • Episode 73: “Wreck of the Number Nine”
  • Episode 74: “Take Em Away”
  • Episode 75: “Man of Constant Sorrow”
  • Episode 76: “The Fox (went out on a chilly night)”
  • Episode 77: “Goin’ Down That Road Feelin’ Bad”
  • Episode 78: “God Rest Ye Merry Gentlemen”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo
 
About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions

 

View the Brainjo Course Catalog

brainjo larger musical mind

Episode 36: Seeking Imperfection

About the Laws of Brainjo Series

Written in partnership with the Banjo Hangout, the “Immutable Laws of Brainjo” is a monthly series on how to apply the science of learning and neuroplasticity to practice banjo more effectively – these are also the principles that serve as the foundation for the Brainjo Method for music instruction.

(RELATED: The Brainjo Method forms the basis for the Breakthrough Banjo course. Click here to learn more about the course.)

I recently had the pleasure of attending “The Big Crafty” arts and crafts fair at the US Cellular Center in Asheville, North Carolina.

It’s an inspiring place to browse (and Asheville an inspiring place to be), with makers of all types displaying their wares of inspiring originality and artistry.

As I was walking from one booth to the next, I found myself reflecting on how different the experience was here from that of browsing the housewares section of your local department store, where you might find similar kinds of items on display.

In the department store, perfection is the norm, the product of factory-made precision. Perfection is required, and expected. Anything less than perfect is either discarded or banished to the land of misfit wares, aka the discount section. In the housewares section, there’s a zero tolerance policy for flaws.

At the craft fair, on the other hand, the pieces are far from perfect – at least in the absolute, geometrical sense. The shapes are irregular, the colors outside the margins, the round parts asymmetrical.

All of it clearly not the work of machines, but of human hands.

And all of it beautiful. Here, imperfections aren’t just tolerated, they’re celebrated. Imperfections are a feature, not a bug.

So what do I prefer?

I’ll answer that question with a picture of my favorite coffee mug, the one I drink my first cup of coffee from every morning (which was featured in a video of “Feast Here Tonight“):

my favorite coffee mug

Yes, I have a cupboard full of perfectly made, store-bought mugs of various sorts. None hold the same appeal.

(RELATED: The mug is made by Tyson Graham of Polk County, NC. You can click here to grab one of your own!)

Finding Wabi-Sabi

Not long ago, I learned that the Japanese have a name for this aesthetic: wabi-sabi. Besides being ridiculously fun to say, wabi-sabi has also since become one of my favorite concepts (not to be confused with wasabi, which is equally fun to say, but goes better with sushi).

According to aesthetics expert Leonard Koren, it is a characteristic essential to the concept of beauty in Japan, occupying “roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the far West.“

“Wabi-sabi nurtures all that is authentic by acknowledging three simple realities: nothing lasts, nothing is finished, and nothing is perfect.“

While those of us in the West may be more preoccupied with perfection, we too have an appreciation and names for this aesthetic. Rustic simplicity. Understated elegance.

Perhaps the most fundamental characteristic of wabi-sabi is that it bears the unmistakable signs of human hands. Signs that convey to us that what we’re beholding was made by one person, for another.

Signs that are missing from machine-made perfection.

So what’s the connection here to music-making?

I think it’s pretty safe to say that all of us at one point or another have battled with the siren song of perfectionism. Of a desire to make what we play come out perfect.

Judging your playing against some imagined ideal can be especially troublesome when you’re first starting out, when the gap between where you are and that beguiling perfect version is as wide as it’ll ever be.

But the battle never really ends. I’d venture that the quest for perfection is the ultimate source of all dissatisfaction throughout anyone’s musical journey.

Yet, here is the irony revealed by wabi-sabi: even if we were to attain that perfect ideal, odds are we wouldn’t even like what we heard.

Perfect music, like perfect pottery, perfect coffee tables, or perfect frying pans, leaves us wanting. Why? Because it lacks the human element.

Because perfect music lacks….wabi-sabi.

Regardless of the form in which it comes, our experience of art is elevated when we can feel that it’s been crafted by human hands. When it’s clear that someone else made it for us to enjoy.

It’s easy to lose sight of this basic fact about music – that it is something that connects us. That it is stuff we make for each other.

It’s easy to get so focused on the details that we forget what drew us to playing music in the first place.

The point here is not to encourage you (or me!) to drop all concern for quality. It’s to remember that there’s so much more to music-making than getting every note right. That there’s so much more to the experience of music than just hearing all the “right” notes in all the “right” places.

Furthermore, imperfection may even be necessary. Nothing, including perfection, comes without trade-offs. In other words, to achieve technical perfection, were that even possible, we’d likely have to sacrifice something else.

Grandpa Jones may not have been the most technically precise banjo picker. Nor would he have wanted to be, as that extra bit of precision would have come at the expense of the raucous, hard-driving sound that he wanted to make. The very sound that fans love him for.

We don’t listen to our favorite musicians because they are perfect. We listen because they move us.

 

Progress and Connection over Perfection

One remarkable thing I’ve noticed over the years is that I enjoy hearing just about anyone play the banjo, regardless of whether they’ve been playing for 5 weeks or 50 years. Why is that? Because technical precision is not required to make a connection.

Again, it’s easy to think that if your playing isn’t up to a certain level, then it’s not worthy of presenting to other ears.

But that view ignores the human element. That view comes from a conception of music narrowed by the artifice of modern musical conventions. That view misses the beauty of wabi-sabi.

When we humans began making music hundreds of thousands of years ago, it wasn’t to make it to Carnegie Hall. It wasn’t to win contests. It wasn’t so we could score a record deal.

It was to connect with each other. It was to celebrate how lucky we are to be spending a little precious time in this incredible universe surrounded by people we love.

So may you all have a phenomenal 2020, and fill your bellies with wabi-sabi.


9 Ways to Practice Smarter – free book and video

The “9 Ways to Practice Smarter” is a collection of 9 essential ways to get more out of your banjo practice. Click the button below to download the book, along with access to the full video.

Download the book


To learn more about the Breakthrough Banjo courses for clawhammer and fingerstyle banjo, click the relevant link below:

— Breakthrough Banjo for CLAWHAMMER Banjo —

— Breakthrough Banjo for FINGERSTYLE Banjo —


— The Laws of Brainjo Table of Contents —

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

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