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Episode 36: Seeking Imperfection

About the Laws of Brainjo Series

Written in partnership with the Banjo Hangout, the “Immutable Laws of Brainjo” is a monthly series on how to apply the science of learning and neuroplasticity to practice banjo more effectively – these are also the principles that serve as the foundation for the Brainjo Method for music instruction.

(RELATED: The Brainjo Method forms the basis for the Breakthrough Banjo course. Click here to learn more about the course.)

I recently had the pleasure of attending “The Big Crafty” arts and crafts fair at the US Cellular Center in Asheville, North Carolina.

It’s an inspiring place to browse (and Asheville an inspiring place to be), with makers of all types displaying their wares of inspiring originality and artistry.

As I was walking from one booth to the next, I found myself reflecting on how different the experience was here from that of browsing the housewares section of your local department store, where you might find similar kinds of items on display.

In the department store, perfection is the norm, the product of factory-made precision. Perfection is required, and expected. Anything less than perfect is either discarded or banished to the land of misfit wares, aka the discount section. In the housewares section, there’s a zero tolerance policy for flaws.

At the craft fair, on the other hand, the pieces are far from perfect – at least in the absolute, geometrical sense. The shapes are irregular, the colors outside the margins, the round parts asymmetrical.

All of it clearly not the work of machines, but of human hands.

And all of it beautiful. Here, imperfections aren’t just tolerated, they’re celebrated. Imperfections are a feature, not a bug.

So what do I prefer?

I’ll answer that question with a picture of my favorite coffee mug, the one I drink my first cup of coffee from every morning (which was featured in a video of “Feast Here Tonight“):

my favorite coffee mug

Yes, I have a cupboard full of perfectly made, store-bought mugs of various sorts. None hold the same appeal.

(RELATED: The mug is made by Tyson Graham of Polk County, NC. You can click here to grab one of your own!)

Finding Wabi-Sabi

Not long ago, I learned that the Japanese have a name for this aesthetic: wabi-sabi. Besides being ridiculously fun to say, wabi-sabi has also since become one of my favorite concepts (not to be confused with wasabi, which is equally fun to say, but goes better with sushi).

According to aesthetics expert Leonard Koren, it is a characteristic essential to the concept of beauty in Japan, occupying “roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the far West.“

“Wabi-sabi nurtures all that is authentic by acknowledging three simple realities: nothing lasts, nothing is finished, and nothing is perfect.“

While those of us in the West may be more preoccupied with perfection, we too have an appreciation and names for this aesthetic. Rustic simplicity. Understated elegance.

Perhaps the most fundamental characteristic of wabi-sabi is that it bears the unmistakable signs of human hands. Signs that convey to us that what we’re beholding was made by one person, for another.

Signs that are missing from machine-made perfection.

So what’s the connection here to music-making?

I think it’s pretty safe to say that all of us at one point or another have battled with the siren song of perfectionism. Of a desire to make what we play come out perfect.

Judging your playing against some imagined ideal can be especially troublesome when you’re first starting out, when the gap between where you are and that beguiling perfect version is as wide as it’ll ever be.

But the battle never really ends. I’d venture that the quest for perfection is the ultimate source of all dissatisfaction throughout anyone’s musical journey.

Yet, here is the irony revealed by wabi-sabi: even if we were to attain that perfect ideal, odds are we wouldn’t even like what we heard.

Perfect music, like perfect pottery, perfect coffee tables, or perfect frying pans, leaves us wanting. Why? Because it lacks the human element.

Because perfect music lacks….wabi-sabi.

Regardless of the form in which it comes, our experience of art is elevated when we can feel that it’s been crafted by human hands. When it’s clear that someone else made it for us to enjoy.

It’s easy to lose sight of this basic fact about music – that it is something that connects us. That it is stuff we make for each other.

It’s easy to get so focused on the details that we forget what drew us to playing music in the first place.

The point here is not to encourage you (or me!) to drop all concern for quality. It’s to remember that there’s so much more to music-making than getting every note right. That there’s so much more to the experience of music than just hearing all the “right” notes in all the “right” places.

Furthermore, imperfection may even be necessary. Nothing, including perfection, comes without trade-offs. In other words, to achieve technical perfection, were that even possible, we’d likely have to sacrifice something else.

Grandpa Jones may not have been the most technically precise banjo picker. Nor would he have wanted to be, as that extra bit of precision would have come at the expense of the raucous, hard-driving sound that he wanted to make. The very sound that fans love him for.

We don’t listen to our favorite musicians because they are perfect. We listen because they move us.

 

Progress and Connection over Perfection

One remarkable thing I’ve noticed over the years is that I enjoy hearing just about anyone play the banjo, regardless of whether they’ve been playing for 5 weeks or 50 years. Why is that? Because technical precision is not required to make a connection.

Again, it’s easy to think that if your playing isn’t up to a certain level, then it’s not worthy of presenting to other ears.

But that view ignores the human element. That view comes from a conception of music narrowed by the artifice of modern musical conventions. That view misses the beauty of wabi-sabi.

When we humans began making music hundreds of thousands of years ago, it wasn’t to make it to Carnegie Hall. It wasn’t to win contests. It wasn’t so we could score a record deal.

It was to connect with each other. It was to celebrate how lucky we are to be spending a little precious time in this incredible universe surrounded by people we love.

So may you all have a phenomenal 2020, and fill your bellies with wabi-sabi.


9 Ways to Practice Smarter – free book and video

The “9 Ways to Practice Smarter” is a collection of 9 essential ways to get more out of your banjo practice. Click the button below to download the book, along with access to the full video.

Download the book


To learn more about the Breakthrough Banjo courses for clawhammer and fingerstyle banjo, click the relevant link below:

— Breakthrough Banjo for CLAWHAMMER Banjo —

— Breakthrough Banjo for FINGERSTYLE Banjo —


— The Laws of Brainjo Table of Contents —

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo 1

 

Episode 35: Should You Learn Multiple Banjo Styles?

by Josh Turknett, MD

About the Laws of Brainjo Series

Written in partnership with the Banjo Hangout, the “Immutable Laws of Brainjo” is a monthly series on how to apply the science of learning and neuroplasticity to practice banjo more effectively – these are also the principles that serve as the foundation for the Brainjo Method for music instruction.

(RELATED: The Brainjo Method forms the basis for the Breakthrough Banjo course. Click here to learn more about the course.)

Should bluegrass banjo players learn clawhammer?

Should clawhammer players learn old time fingerpicking?

Should Scruggs style pickers learn melodic style?

These sorts of questions are bandied about all the time inside banjo forums.

Not surprisingly, you’ll find the range of responses and opinions run the full gamut.

The argument against the proposition usually takes the same form – that learning another style takes time away from learning your primary, or initial style, thereby slowing the learning process and limiting your ultimate results. According to the naysayers, the opportunity cost isn’t worth it.

As you may know, because I’ve touched on it in prior episodes, I strongly disagree with that line of reasoning. I’d argue that the only reason we even have this discussion at all is because the conventional learning process ends up making playing in different styles FAR more challenging than it should be.

But, that’s not the point I want to make here.

Instead, I’m going to present an argument for learning new styles that you may have never considered, but really should. Because the benefits of breaking out of your comfort zone may be far greater than you realize.

As you’ll soon discover, it could literally save your life.

(RELATED: For more about how the learning path determines your ability to learn multiple styles, click here to read “How To Pick The Banjo In Any Style”)

 

Maintaining Order in the Chaos

With time, everything trends towards disorder. It’s a law of the universe (the 2nd law of thermodynamics, to be precise).

Just maintaining a tidy bedroom takes daily effort.

And this battle against disorder is waged every second inside our bodies and brains, too. With time and use, things break down. Without repair and recovery mechanisms working constantly, we’d fall apart in the blink of an eye.

In the end, as remarkable a self righting machine as our body is, disorder still eventually wins out. Over time, things stop working as well as they used to, then they stop working altogether.

That’s the aging process in a nutshell.

But, if you’re like most people, you’d like that process of decline and decay to go as slowly as possible. You’d like to maintain your body and brain in its best working condition as long as possible. And you’d like as many spins around the sun as you can manage.

So now, after that bleak opening, let me raise your spirits with some good news. Because it turns out there’s quite a bit we can do to slow that decline and boost the disorder-fighting forces inside us.

 

Learning To Reverse Time

Recently on the Intelligence Unshackled podcast (a podcast about how we can all get the most out of our brain), I interviewed neuroscientist Dr. Michael Merzenich.intelligence unshackled podcast

 

Dr. Merzenich, an inspiration of mine, has been referred to as the “Pioneer of Plasticity,” having conducted much of the research that overturned the long held notion that the brain was fixed in structure after childhood. In a number of experiments, he clearly showed that the brain was capable of making major structural alterations throughout its lifespan.

And thank goodness this is true! Because it’s our brains ability to change itself that allows us to learn the banjo, or anything else, at any age.

But what his research has also shown is that learning new things, and the changes in the brain that occur to support it, has astonishing benefits for the health of our brain.

In one of the most remarkable studies on this subject, Merzenich and his colleagues were able to demonstrate reversal of more than 20 different established neurophysiological markers of brain aging through training alone (in this case in the domain of auditory perception). One month of training to develop particular listening skills was able to undo what had previously thought to be inevitable and irreversible consequences of getting old.

Learning new things reversed aging, restoring the brain to a more youthful state. No magic potions, pills, or fountains required.

And the research supporting this phenomenon continues to grow. Based on the body of evidence, Merzenich believes that learning new things is the single best strategy both for keeping the brain in peak condition, and protecting against dementia, including Alzheimer’s disease (I happen to agree, and getting people to take full advantage of this property of their brain is a core mission of Brainjo).

 

Rethinking Learning New Styles

With this research in mind, let’s revisit our opening question. Should we learn new styles, or new ways of picking the banjo? How about new instruments?

As I mentioned, the central argument given by the naysayers that it’s not worth the opportunity cost of the time you won’t be spending developing your original style.

But that argument assumes that we’re optimizing for is mastery. It assumes that our goal is to get as good as we can possibly get.

This of course is not limited to just banjo players. From tennis to breakdancing to basket weaving, I’d venture that mastery is considered to be the primary objective for anyone developing a particular skill, whether explicitly acknowledged or not.

But what if, instead, our main goal is to improve the health and function of the brain?

What if, instead, our main goal is to strengthen the forces battling disorder in the brain, to reverse the aging process in the brain, and to maximize our protection against things like dementia and Alzheimer’s?

What if, instead, our main goal is to improve our odds of a few more spins around the sun?

From this perspective, the answer is a no brainer (sorry). We should absolutely learn new styles.

Because if we’re looking to fully capitalize on the brain protecting benefits of new learning, the best candidates are the things we’re no good at. Because that’s where we have the most room to grow.

Moreover, viewed from this perspective, continuing to work on a skill once we’ve reached the shallower parts of the learning curve yields diminishing returns. Once we’ve hit the intermediate to advanced level, continued efforts no longer yield the same benefits to the brain.

So, if we’re optimizing for brain health, sticking with one style doesn’t afford us the same improvements that learning a new style, or a new instrument, would.

One final point here: if you find yourself in one of the later decades of life, you might be extra inclined to think that learning multiple styles, or instruments, is foolish.

But, once again, seen from this new perspective, it is especially important for you. The young-uns with their freshly made brains don’t have a lot of aging to undo.

Those who’ve put more miles on their cerebral cortices, on the other hand, stand to gain the most!


Intelligence Unshackled Episode: Why You Should Embrace Your Ineptitude

If you’d like more on this topic, in the audio player below you can listen to a recent episode of the Intelligence Unshackled episode where I explore the reasons why we should pursue the very things we feel inept at (click here to listen on iTunes).


9 Ways to Practice Smarter – free book and video

The “9 Ways to Practice Smarter” is a collection of 9 essential ways to get more out of your banjo practice. Click the button below to download the book, along with access to the full video.

Download the book


To learn more about the Breakthrough Banjo courses for clawhammer and fingerstyle banjo, click the relevant link below:

— Breakthrough Banjo for CLAWHAMMER Banjo —

— Breakthrough Banjo for FINGERSTYLE Banjo —


— The Laws of Brainjo Table of Contents —

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo 1

 

Episode 34: How To Tell If You’re Still Getting Better, part 2

by Josh Turknett, MD

About the Laws of Brainjo Series

Written in partnership with the Banjo Hangout, the “Immutable Laws of Brainjo” is a monthly series on how to apply the science of learning and neuroplasticity to practice banjo more effectively – these are also the principles that serve as the foundation for the Brainjo Method for music instruction.

(RELATED: The Brainjo Method forms the basis for the Breakthrough Banjo course. Click here to learn more about the course.)

How We Get Stuck

As we’ve discussed, the greatest motivator we have is progress.

And if progress, or getting better, is the greatest motivator, then what might be the greatest de-motivator, the thing that may make you want to throw up your hands and give up in frustration? Getting stuck.

It’s frustrating when we stop making progress.

It’s even more frustrating when we stop making progress, and we have no idea why.

In the last episode of the Laws of Brainjo, I reviewed the differences between the “hard” and “soft” skills of banjo playing. Both of these can lead to the dreaded state of stuckness.

(NOTE: if you don’t recall that episode well, it might be good to read it first. Click here to do so.)

But the way in which the hard and soft skills cause us to get stuck is very different. And for those who want to unstuck themselves, it’s crucial to know that difference!

Signs of Hard Skill Stuckness

Hard skills are what we usually think of as the technical aspects of banjo playing (“hard” in this case does not refer to level of difficulty). And we generally know what those skills are. In the pie of possible knowledge, we can divide the hard skills we’ve acquired at any given point in time into the skills we know that we know, and the skills that we know we don’t know.

Here again is our pie of possible banjo knowledge I introduced in the last episode:

Now, hard skills often lead to stuckness. In fact, my hunch is more people give up on account of trouble with the hard skills than anything else. It’s getting past the hard skills that prevents folks from moving past the early intermediate stage. For those who give up on the banjo thing within the first year or two, it’s usually on account of hard skill woes.

And it almost always results from the early formation of bad habits, which can come from learning the hard skills in the wrong sequence, at the wrong times, or in the wrong way.

As we’ve covered before, it’s much easier to form good habits from the start than it is to break a bad one that’s already formed (one of the central objectives of the Brainjo Method is to carefully map out this process – not just what to learn, but HOW to go about learning it.).

So what are the hard skills of banjo playing? We can basically divide these according to the mechanical  skills required of each hand:

Fretting Hand Hard Skills

  • Fretting a string
  • Fretting chord shapes
  • Pull offs
  • Hammer ons
  • Slides
  • Bends

Picking Hand Hard Skills:

  • Striking a string cleanly
  • Striking a desired single string
  • Cleanly picking strings in succession
  • Picking strings in any desired order
  • Strumming

Bimanual Hard Skills: Coordination of the various combinations of the above picking and fretting skills.

So, in essence, the hard skills consist of an array of basic movement patterns that must be first learned by each hand, and then combined and coordinated in all manner of ways, in time, at will.



intelligence unshackled podcast



Once all of those movement patterns and the neural networks that control them have been created, however, we still must know how and when to apply them. They do us no good if we don’t understand how to use them make the music we want to make.

And that’s where the “soft” skills come in.

Signs of Soft Skill Stuckness

The soft skills are like “advisors” to the motor system, or the conductors of the orchestra. They formulate the plans for how to use those hard won “hard” skills in the service of music making.

It’s in the mastery soft skills that separates the most extraordinary from the ordinary musicians, the ones who make us rush out to buy their albums, want to learn how to play like them, or move us to jubilation or tears.

While there have been plenty of legendary musicians with ordinary hard skills but masterful soft skills, those with masterful hard skills but ordinary soft skills are a non-existent species.

Even though computer generated music is more technically perfect than anything a human can achieve, we still prefer music made by machines of flesh and sinew over metal and transistors. Why? Because we have yet to figure out how to teach a computer the soft skills.

And, as mentioned, soft skills are the other source of stuckness. In fact, they’re oftentimes an insidious, invisible cause of stuckness.

Why? Because in the great pie of knowledge, that whole slice of things we don’t know we don’t know are soft skills.

And we can’t learn what we don’t know to learn, right? So if you’re stuck and you don’t quite know why, chances are it’s because of a soft skill.

Moreover, how to go about learning soft skills, even when we have some notion of what they are, is less clear.

Consider:

How exactly do you know how to behave in church, a baseball game, a football game, a funeral, a wedding, a fancy restaurant, a fast food restaurant, an airport, a party, etc.?

How do you know how the difference between a sad, happy, puzzled, surprised, angry, jealous, indignant, or constipated face?

How do you know the many ways in which tone of voice can completely change the meaning of a single word?

These are but some of the soft skills of human communication and social interactions. And the list goes on and on.

Yet, do you recall ever sitting down to study, or take a class on any of these things?

Of course you didn’t. Somehow, your brain just figured it all out. And this is no ordinary feat, mind you, as exemplified by the fact that we’ve yet to program a computer that can do any of these things nearly as well as a regular human’s brain.

And to figure these sorts of things out, your brain first had to know that figuring it out was important. In other words, you first had to care about things like proper social behavior in various situations, or interpreting human emotions through expression and tone of voice.

Fortunately, we come wired up out of the box to care about such things, as communicating with each other has been the key to the success of our species.

But the point being that the learning of all those soft skills itself happened subconsciously, in all that neural machinery that runs in the background. That’s where the smartest parts of you live, and those parts are always on.

Likewise, when it comes to the soft skills of banjo playing, in many instances the key is knowing what to care about, and then seeking out the appropriate inputs so that those subterranean circuits can do their thing.

So, then, what are the “soft” skills of banjo playing?

Here’s a list of some of the most significant ones – note that these are specific for players in an “aural” tradition (one transmitted and learned largely by ear, which comprises most musical traditions outside of classical music, where learning is by rote):

  • The structure of a song or tune archetype (bluegrass song vs. fiddle tune, for example)
  • How to modify the tone of the banjo (via technique, setup, etc.)
  • Listening and Ear Learning skills
    • How to separate the melody and harmony parts of a song
    • How to recognize the rhythm of a song
    • How to pick out a melody by ear
    • How to pick out a chord progression by ear
    • How to create your unique arrangement with the melody and chord progression
    • How to add drive and swing to your playing
    • Mapping sounds to fretboard locations (or, even better, proprioceptive feedback)
    • Genre specific embellishments, licks, etc.
    • Sonic memory (ability to remember songs go, etc.)
  • Practical music theory concepts and applications
    • Common chord progressions
    • How to construct chords
    • The Nashville numbering system
    • Chord inversions throughout the neck
    • How to transpose a song to another key
    • The relationship between banjo tuning and key
    • Scale patterns in various keys
    • How to use a capo
  • Melodic and rhythmic embellishments to convey emotion, feeling, etc.
    • How to evoke particular emotions in a listener
    • How to compel a listener to move
  • Group Playing Dynamics
    • The “rules” of different kinds of jams, genres, musical settings
    • How to modify backup playing based on the instrument, singer, etc.
    • How to respond and adapt to other musicians’ playing
  • How to tune a banjo

Much of these can be learned through a combination of reading (to create awareness and understanding of certain theoretical concepts, where needed), listening, and jamming (playing with other musicians or backing tracks, in order to apply these concepts and generate feedback).

UNSTUCKING YOURSELF – SUMMING UP

So if you’re stuck, ask yourself, do I know why I’m stuck or not?

If it’s because of a hard skill that you’ve habituated poorly, you may have go suck it up and take some steps backwards before you can go forwards again.

If it’s a soft skill, consider which of these elements you may be missing (it also helps to try to precisely define your goals – i.e. what are you NOT able to do now that you wish you could).

 

9 Ways to Practice Smarter – free book and video

The “9 Ways to Practice Smarter” is a collection of 9 essential ways to get more out of your banjo practice. Click the button below to download the book, along with access to the full video.

Download the book


To learn more about the Breakthrough Banjo courses for clawhammer and fingerstyle banjo, click the relevant link below:

— Breakthrough Banjo for CLAWHAMMER Banjo —

— Breakthrough Banjo for FINGERSTYLE Banjo —


— The Laws of Brainjo Table of Contents —

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo 1

 

Is The Banjo Good For Your Brain?

SUBSCRIBE to the Podcast
 
We all know that learning to play the banjo is loads of fun.

But few people appreciate just how extraordinary the benefits are for the health of their brain.

I recently had the pleasure of interviewing one of my personal heroes, neuroscientist Dr. Michael Merzenich, on the “Intelligence Unshackled” podcast. Dr. Merzenich is a pioneer in the field of plasticity, or the science of how the brain learns and changes itself.

I first encountered his research over 20 years ago as an undergraduate majoring in Cognitive Neuroscience, and that encounter sowed the seeds for what later became Brainjo many years later.

Dr. Merzenich’s research has shown that not only is the brain capable of changing itself throughout our lives, which is what allows us to do things like learn how to play the banjo at any age, but that changing the brain in this way is one of the best things we can do to improve and protect our brain over the long term.

We discuss all of that in the interview, and I think you’ll come away with a renewed appreciation of the far-reaching benefits of playing the banjo!

As a neurologist who’s witnessed first hand the devastating impact of things like Alzheimer’s disease, this is a message that is near and dear to my heart. So please share this podcast episode with anyone you think would enjoy or benefit from it.

Episode Transcript

Josh Turknett: Hi, I’m Dr. Josh Turknett. Founder of Brainjo and the Brainjo Center for Neurology and Cognitive Enhancement. And this is the intelligence unshackled podcast. Join me as we take a tour through the human brain to explore and understand the true nature and scope of human intelligence and to unlock the secrets of optimizing brain health and function. In the last episode which reviewed the mental model plasticity, I talked about how for much of the 20th century, the prevailing dogma in neuroscience was that the brain was fixed, incapable of structural changes after childhood development.

And that dogma was challenged in the latter part of the 20th century be research that clearly demonstrated it to be false, research showing that the brain was, indeed, capable of measure, experience driven structural alterations throughout our lives. A phenomenon now widely referred to as neuroplasticity or just plasticity. And while this idea of a changeable brain is no longer controversial, I think that leftovers from this fixed brain era still significantly influence how we think about the limits and the scope of human intelligence and that influence still remains one of our primary metaphorical shackles. We’ve barely begun to understand the scope of what’s possible when it comes to this capacity of the brain to change itself and how to best leverage it and there’s still so much to be gained from doing so.

A major figure in conducting the research that led to overturning the fixed brain dogma is my guest on today’s podcast, Dr. Micheal Merzenich. Not only has he dedicated his career to conducting this important research but he’s also made an effort to spread it well beyond the world of academia, realizing just how important it is not only for realizing human potential but also for maintaining the health of the brain and in preventing cognitive decline and dementia. And you’ll hear of some pretty remarkable research along those lines that he was part of. He has had a long and prolific career in the neurosciences publishing more than 150 articles and leading peer review journals including Science and Nature and received numerous rewards and prizes. He’s also been granted nearly 100 patents. His work has been featured on several PBS specials and he was also part of the team that invented the cochlear implant which was a real breakthrough for those with hearing impairment.

Also at the conclusion of the interview, I will return with a few of my key takeaways from it. So, without further ado, here is my interview with Dr. Micheal Merzenich.
Okay, so I am honored to have with me on the podcast today Dr. Micheal Merzenich. Hello, Dr. Merzenich.

Micheal M.: It’s nice to be with you, Josh.

Josh Turknett: All right. So, Dr. Merzenich has had a long and prolific career in the neurosciences. He is, I believe, a professor emeritus at UCSF and a member of the National Academy of Scientists in the Institute of Medicine and accomplished a lot of the seminal research in the area of neuroplasticity, the brain’s ability to reorganize itself in response to experience which is, essentially, a biological foundation of all learning. So, it’s of immense importance to the aims of this podcast or to the understanding of how we can realize the full potential of the brain. And his work has not only been broadly influential in ways that we’ll discuss but it’s also significantly impacted my own trajectory. So, I first learned about his work as an undergraduate pursuing a degree in neuroscience.

And so as an undergrad neuroscience major in the late ’90s, I wrote a paper and a presentation about Dr. Merzenich’s research and that turned out to be a pretty formative moment in my own life and career. Up until that point, I had held a personal conviction that our success in learning anything whether it was academics, sports, art, music, that our success was governed far more by the process in which we went about learning rather than any innate talent or predispositions and in my own personal experience, my success in learning anything seemed far more a product of the quantity and quality of practice or how I went about learning than anything else.

And yes, that seemed to still be a minority view point and the idea that there were innate talents and aptitudes was still the pervasive view point, especially in certain domains. And I think that that was, in part, a direct outcropping of the notion of the brain as being essentially fixed in form in function after early childhood development. Which up until to the mid to late 20th century was still the prevailing dogma. And so, for me, when I first discovered Dr. Merzenich’s work on plasticity it felt like here was the scientific foundation for what I’d felt was true experientially.

And here was scientific evidence that overturned that dogma and yet it still hadn’t seemed to make its way into impacting broader society and not only was the research crucial to providing the scientific and biological basis for those concepts but it was also of immense practical use and that understanding the mechanisms of plasticity could be especially useful in forming our own learning process and in better leveraging the brain’s tremendous capacity for adaptation and growth.

So, I began applying and refining those concepts personally and began sharing them with other and ultimately formalized that into the Brainjo method for learning how to play music and reflecting back on it I can see where the seeds for a lot of that were sewn through those early encounters with Dr. Merzenich’s research on plasticity. So, you’ve clearly carved out a unique career for an academic scientist including, essentially, helping to create an entirely new field within the neurosciences. And I’m especially interested in the paradigm shift that you helped to usher in years ago from seeing the brain as fixed to seeing it as plastic. And so, maybe you can first take us back to how you got into the field of neuroscience and plasticity research in particular.

Micheal M.: Well I was interested in neuroscience, josh, because I was interested in our humanity and I thought that I’d like to study the nature of our humanity and initially my notion was to pursue it in philosophy to become an academic philosopher or maybe a psychologist. In thinking about it, I thought well, the real answer probably lies in the wet tissues of the brain and understanding the brain as it accounts for the evolution of our personhood or the nature of our personhood was probably where the real answers were and so that led me to study neuroscience. And as a neuroscientist, my whole quest, you could say was to study the brain as a learning machine and learning organism. I wanted to understand why we do what we do, how we acquire our abilities in life.

And, of course, as you say that a notion when I was a young scientist, a young student, was that the brain was fixed like the computer on your desk and there were algorithms in it that were operating and it had to be pretty amazing and you could struggle to understand how all of the wonderful things and abilities, skills, information storage occurs in a life, in this fixed machine. And then I did experiments across the early phase of my research career that demonstrated in a very clear way that this could not possibly be right and then did experiments that directly challenged the idea that the brain was fixed in an older aged animal and in an older aged human.

One of the things that changed my thinking about it was work that my research group conducted in the development of what became one of the commercial cochlear implants. And this is a little bit off subject, Josh, but my research team basically led to … created one of the first operational cochlear implants which is one of the commercial cochlear implants that’s out there in the world today, it’s been applied in hundreds of thousands of deaf individuals. And as we applied these devices, what we were trying to with them was to simulate the patterns of input from a dead ear that would normally be delivered from a healthy intact ear and we did that by shocking the acoustic nerve and we could only do that crudely.

There’s just practical, mechanical, and physical limitations to how well we could achieve that, I liken it to playing Chopin with your forearms or your feet. And it’s also exciting, the region of the inner ear which normally represents only the squeakiest of sounds, not sounds of [inaudible 00:09:17]. So, not surprisingly we plugged this into an individual that’s been deaf for a while and initially they’d say that what they sound … what they hear is trashy. It sounds like somebody playing the accordion, I’ve never understand those, right? It sounds like a robot, right?

Three or four or five or six months later, they understand everything. And they say, “Oh, it sounds just like it sounded before I lost my hearing.” And so, I thought, “Is this a miracle of our engineering? Is it really happening?” And it dawned on me that the brain must be making adjustments on a massive level, they must be connectional and physical. And about the same time I was doing studies in the basic organization of the auditory brain and I realized that what I saw in the organization of the brain, I say what I saw, what we saw just did not match the notion that we construct reality as by in a fixed machine that has fixed connections. It just didn’t make any sense if that’s what the brain was organized to do.

Then we did experiments in which we modified the inputs to the brain that were done from the somatosensory surfaces of the body, from the feeling surface of the body in an animal model. And we saw the brain in an adult quickly, and on a very large scale, reorganized itself. And that led to experiments in which we demonstrated that in an animal of any age, you can train the animal and with the acquisition of the new ability or the improvement of any ability, you could track changes in the brain that accounted for the acquisition, whether it accounted for the improvement. The acquisition of any ability to improve of any ability is brain remodeling. And it’s remodeling on a fundamental sense in the connections of the brain that accounts for its operations but it also is remodeling in the operational characteristics of the machinery of the brain.

The brain, initially, is only operating very sloppily and noisily and not very precisely. And now I train the brain and now it’s operating with high precision and high accuracy, at high speed. And so to see the basic operational characteristics of the brain change as you engage it in training was exciting to us. And that led us to try to say, “Well, what rules are operating to control this change and produce [inaudible 00:11:59] on the first level, we knew what those rules were. And at that point we could change the brain, in a sense, at will within the limits of those rules. So, I went through this personal revolution in my thinking about it over a period of about maybe 15 years, Josh, it may not sound like it [crosstalk 00:12:20]. But, to realize that the brain is a continuous work in progress, that it’s created us in all of our operational abilities that define us operationally, it’s actually created the person that we are.

In a sense, Josh, it answered the great question that I set out as a neuroscientist to answer and that is our true natures as we account for our abilities that define us as we account for the creation of ourselves in our operational … in defined in operational terms. So, anyway, from that point forward I’ve been trying to understand how to deliver this science out to help people, regular people in need of help.

Josh Turknett: Right. So, since you mentioned going, initially thinking you were going to take the philosophical route and then going into the neurosciences, did your observations of the brain in terms of its plastic potential and this realization that it was always in flux, did that challenge any kind of existential notions about the self, for who you were at the time, did that filter into your own personal philosophy?

Micheal M.: Well, I began to realize that the self is a creation of plastic processes in a brain. And because people conducted really important experiments, not … the initial experiments were conducted by Japanese scientist in the 1990s who demonstrated that the brain is operating to connect things that are associated, physically associated, the association of information by which we construct our realities, you could say, is a physical process. I think it’s one of the great discoveries of modern neuroscience and worthy of a Nobel Prize but it’s one of those things, great discoveries [crosstalk 00:14:27] over because people don’t appreciate the extended significance of it.

We construct reality by how we associate things that represent the nature of the things as a whole basis of our understanding of the world we live in and every time we feel, every time we think, every time we act, we make a second association. And that association is to the source of the feeling or the action of the sensation of the thought. And that association is to … and that is where the source is us. We are massively, physically self-referenced and we create this entity, you could call it we’re creating a captain of our little ship. And as it grows in its power, it grows in the construction of this entity, it actually creates … it actually engenders agency, it becomes an agent, it becomes a controlling force in our brain. This is created through our plastic process in our brain in our lifetimes, in our early lifetimes obviously. And we have a commander in our ship that’s been self-created you could say by these plasticity processes.

And it’s subject to our improvement on our strengthening and our modification at any time in our lives. And I wish everyone out there, Josh, everyone who’s listening to this to understand that they are a work in progress. That everything that’s important to them can be stronger, still, in operational terms in their brain. That they’re capable of transforming themselves and carrying themselves to a higher level in everything that matters to them.

Josh Turknett: Absolutely. I couldn’t agree more. And it seems like on the flip side, the other point of view where we’re fixed and we can’t change things arose from maybe both the ideas of the brain as being fixed that were held for so long and also the discovery of genes and DNA and the belief that that DNA was our fate and we certainly know that both of those things are not true to any degree. So, your research with the cochlear implants and with the somatosensory reorganization, what years are we talking about there where that was going on?

Micheal M.: Well, the cochlear implant development occurred primarily across the 1970s and 1980s [crosstalk 00:17:04] operational, it was commercialized in the 1980s. So, from that time to this, there have been … we’re not so far away from a millionth patient in cochlear implant [crosstalk 00:17:16] hearing. And then we initiated the research, definitive research, in plasticity you could say in about the mid-1980s and by the mid-1990s we had a pretty clear idea of the operational rules that defined brain change on a first level. I mean, as you know Josh, neuroscience is a complicated business if you get down to the details of it.

But, the other thing we didn’t initially fully appreciate, Josh, is that a lot more is changing beyond connectivity. And actually several physiological psychologists began doing experiments in which they looked, for example, at the impact of training on the vascularization of the brain or the supply of nutrients to the brain or other things like this. And we, ultimately elaborated those experiments, we made long list of things that in which we ask ourselves, “Are these altered when we engage the brain intensively in learning?” And we saw that the brain is actually changing in its physical characteristics in every dimension. You can train a healthy brain. You can say is supplying plenty of nutrients, oxygen, so forth.

It’s got a strong and competent set of immune processes. It has a highly developed blood-brain barrier that has high integrity and so on and so forth. Whole series of physical changes occur when you engage the brain in a healthy way in exercise. And so it’s really important that you think about exercising your brain, you think about brain health. The traditional view is that if you have a brain and you’re under control, it’s healthy. But, of course, that’s silly. There are variations in its organic health. And just as if you could look at 100 people and say, “These people are very physically healthy and those people are obviously not.” This certainly applies for the organ inside people’s skulls.

And one of the things that drives me crazy, Josh, is that there has not really been developed a brain medicine. There’s not a routine brain exam when you go to the doctor. And to just assume that everything is fine.

I think part of it speaks to the resilience of our brains is even when it’s not operating optimally, it still does pretty well. And maybe that gives the illusion that it’s doing better than it it. And you were talking about some of the changes that occur just beyond connectivity with learning and obviously you’re familiar with the research showing that engaging in learning seems to have neuroprotective benefits and there are speculations as to where that could all come from. One idea is that it’s just increasing the cognitive reserve so if you have … your brain can do more so it’s more resilient to degradation if you have some degree of redundancy built in.

But, it seems to be that there’s more than likely other things going on which you eluded to there where you’re not only improving the software components of the brain but you’re also improving its hardware through new learning. Would you agree with that as part of the … at least speculate in terms of the benefits of learning as it pertains to brain health and protecting against neuro degeneration?

Micheal M.: We’ve done direct experiments that relate to this. So, for example, Josh, one simple experiment that we’ve done is we made a long list of things about the physical and functional brain and the list encompasses about 30 different physical, functional, chemical characteristics you could say. And then we’ve just contrasted the state of the brain in an animal near the end of life to an animal in the prime of life. And the first question you can ask is, “Well, how many of these 30 different …” I’ll say a little bit about what these things are in a minute, “How many of these 30 things are different in an animal near the end of life versus an animal in the prime of life?”

I might say we’ve also done these experiments in a second way. We’ve given an animal a terrible, challenging, early life. And then we contrast with an animal that’s had a normal, healthy, early life. And everything is different in the animal that’s struggling. Everything’s different. So, when you’re close to the end of life, everything you look at is different from the same measures in the prime of life. How many of those things advantage the older brain? And the answer is none of them.

The younger brain is faster, it’s more competent, it’s more reliable, it’s more organized, the responses are of greater magnitude, the inhibitory power is greater, everything you look at is stronger in the young brain versus the old brain. Advantage is the young brain in its operations. And then you can ask, “Well, how many of those things can be positively reversed by training the animal?” And the answer is all of them. Everything is reversible. And in an animal model, we did the initial experiments in rats. We’ve subsequently done many of these parallel experiments in humans but initially we studied this in the rat model. In the rat model, virtually, you can have an animal that’s expected to die in a month or two and you can train the animal intensely.

Well, the brain looks like the animal at the end of that training in an animal that’s in the prime of life by virtually every measure. Now, what were some of the measures we looked at? We looked at myelination. We looked at the spreads of processes of neurons. We looked at the activity of inhibitory neurons. We looked at aspects of processing speed, of operational speed, we looked at the organization of brain systems. We looked at a whole pile of things related to the vascularization of the brain, the oxygen and resources in brain tissues, a whole bunch of elemental things that relate to, you could say, the integrity of the brain as it relates to its health. We looked at the blood-brain barrier. Many different dimensions of the physical and functional brain. All of them are rejuvenated by appropriate forms of training.

Now, what are the appropriate forms? What we did is drive the brain, the magical processes, drove the brain to operate with improving accuracy at speed at every brain level and by at every brain level, I mean the brain is operating accurately at speed and resolving what information is arriving, you could say on the front doorstep of the Brian, and it’s also operating at the accuracy and speed it’s making judgements about what it’s just seen or heard. It’s manipulating information in training in relatively simple ways. Now, when you drive the brain accurately at speed, you’re driving the processes of the brain, you could say to, and the machinery of the brain, to a highly resolving state.

And fundamentally, we’ve known for a long time … and this is, Josh, this is cognitive reserve. You could say that a brain that’s operating accurately at speed is a brain that has lots of cognitive reserve. So, another way of putting it is we need … we should be seeing how effectively how brain is operating at speed all across life. And if you’re slipping in these abilities of having your machinery, you could say, and operating in that tip top performance condition, you should do something about it.

Josh Turknett: And then, so how would you translate those ideas and that research into a practical guidance for those who are trying to restore a more youthful brain?

Micheal M.: Well, first of all, self assess where you are. You can do that, you know operationally, whether or not you have really “slowed down.” And it’s a relatively easy thing to measure. At our website Brain HQ, it’s relatively easy to self evaluate your processing speed. It’s how you sit in terms of the rest of the human race or other people of your age. And if your processing speed is not up to speed, then you should do something about it. There are lots of things you can do about it. I love your music training [crosstalk 00:27:20], as an example of something that really would challenge you to operate with accuracy and speed. In fact, if you look at the average musician, music is very, very healthy for you especially music performance.

I mean, ping pong. [crosstalk 00:27:39], I don’t really care what you do. But, do things that drive improvement of your operations at speed. There’s lots of fun, interactive games that you can play with other people that basically drive you in your performance at speed and then you can go to a website like our website Brian HQ and exercise our brain on the exercises there. There’s just lots of things that you could do in everyday life that would improve these elemental abilities. And I think they represent an injection of cognitive reserve.

Josh Turknett: And what are your thoughts as to why the average trajectory is for that to not happen in this day and age in terms of it seems to be that the average adult doesn’t continue to engage those mechanisms throughout life and tends to end up in the state of the [inaudible 00:28:42] and the experiments that you talked about? Do you think that’s just an inevitable consequence of the ways our lives are organized or do you think there’s anything more to it than that?

Micheal M.: Well, I think there’s two fundamental reasons. First is ignorance because if you’ve thought about your brain health at all, you were informed at all, you’d know that you should be exercising your brain just like you’re exercising your body. And one of the things that drives me crazy about this, Josh, is that people are told that exercising their body is what their brain needs. And it is important for their brain. But, their brain also needs to be exercised in and of itself [crosstalk 00:29:27]. So, one thing I say is just the public doesn’t understand the importance. They haven’t got it yet. There was an evolution in people understanding that they needed to do things about their physical health and that might lead them to go to the gym and be good soldiers about it. That has not occurred yet with the same fervor for the brain, it should.

The second reason is because we have designed a modern lifestyle so that we can operate effectively without the use of much of a brain. We’ve paved every surface that we step on and by doing that we are depriving ourselves of hundreds of thousands of moments in a year when a footfall would be uncertain. And we’d have to make little neurological adjustments to it. We live a life in which we acquire our abilities that lead us to the occupation that dominates our life and activities that dominate our life and at that point learning for many people is substantially over. Everything is done from memory using largely automatized abilities and we have very stereotyped operations in our brain and in our life.

Stereotypy is poison. We need to be continuously learning, continuously challenged. In the native human state, people didn’t get over their challenges just to survive. They were continuously challenged and had to be continuously adaptive. And then it’s really important that we keep the machinery healthy, that keeps track of where we are in the landscape that we live in. Most people have no real reconstruction in their brain of the landscape that they live in. They look up the way to go anywhere and they don’t really know, they can’t really tell you even the details of what’s on the street that they live on. They’re so disengaged from the physical reality of the world they live in. And all of these things are contributing to their demise. To the degradation of the faculties that would sustain them. It’s not just that we don’t exercise. It’s definitely that we do things deliberately that will carry us into the ditch.

Josh Turknett: Yeah, I’ve thought about as a personal metric, the degree to which I’ve run on autopilot or the percentage of any day I’m on autopilot as a gauge of how well I’ve done in terms of engaging neuroplasticity mechanisms and it would be nice to figure out a good way to operationalize that but I think it’s such an important concept but not only is it a way of framing whether or not you’re learning new things, it’s also a way to slow down time and the more novelty we have in our lives, the slower things go and the more we’re running on autopilot, the faster time goes. So, it’s good for those of us who are interested in prolonging the experience of our lives.

Micheal M.: One of the things that I tell people to do is say, “Imagine, in your mind, reconstruct the details of what’s on the street that you live on. And then okay, go two blocks away in your mind. And then reconstruct in your mind, in detail, what’s on that street. Some block that you’re very familiar with that’s nearby. Then go there and look.” And what the average person will see is are many, many details, in a sense, that they’ve never seen. They didn’t fully appreciate or certainly were unable to reconstruct were there. Even though they’ve seen them thousands of time. And that’s because, in a sense, they’re disengaged.
And in our native human state we weren’t permitted to be disengaged. But now our brain can be operating with us largely offline. And just walk down the street and look at the people that you pass and see how many people are, in a sense, living zombies because it’s a very common modern human characteristic. People are just definitely out there in the world, disengaged from it.

Josh Turknett: Absolutely. We’ve come a long way, I think, in recent years in terms of embracing the idea that at least the brain isn’t fixed and there is capacity for change but I think that there’s still prevailing belief that most of that capacity exists in childhood and then it greatly diminishes during adulthood. And in the book, you talk about the concept of a plasticity switch and that in the early years of development, that switch is always on.

nd I think that’s a really important concept because it could simple be that in childhood that plasticity switch is genetically programmed to be on during development and after that period, perhaps we have to be deliberate and intentional to turn it on but it’s not that it goes away. So, do you think of plasticity itself as a mechanism as being plastic? In other words, is there evidence that continuing to engage the mechanisms of neuroplasticity keeps those mechanisms up regulated or keeps that switch easier to turn it on in a way that optimizes the brain’s ability to change itself?

Micheal M.: Absolutely, Josh. And this is really an important point and the machinery that controls change is plastic. So, basically it’s actually been well studied. When you engage the brain aggressively as a learning machine, you actually strengthen the machinery that controls learning. It’s a self feeding process. The only thing that we’ve done is we’ve taken … we’ve trained hundreds of thousands of people of all ages. And on computer based exercises and one of the things we’ve done is we’ve tracked the changes that occur in an older brain as they initiate our exercises on the computer and initially they’re poorer, they’re slower in acquiring ability than is a younger person.

But, after a period of time, as they exercise the machinery, they’re up regulating the processes that control change. And they catch up. So, at any age, you can actually exercise the machinery in the brain by having a more aggressive life that’s learning filled and acquiring new ability and new talents and that actually improves your capacity of learning in general terms. So, I say get me to the exercising your brain, take up some activities or think about a regular schedule of the acquisition of a new ability or elaborating the abilities and doing the things that you really love, that you’re really into. Don’t rest on your laurels. Engage your brain as a learning machine [inaudible 00:36:41] take it up a notch. And a person that adopts this as a habit basically is strengthening the processes that are controlling learning and memory themselves. You want that machinery to be more powerful. You want it to be more reliably operating with strength and fidelity.

Josh Turknett: It’s almost as if the ease of modern life sends a signal that these mechanisms aren’t needed anymore so why waste energy on keeping them up regulated?

Micheal M.: And ultimately when they die off to either parallel because their progressive loss is directly contributing to your … to the dangers that apply to, ultimately, slipping into the man’s share of Parkinson’s disease or other things you do not want to have happen to you.

Josh Turknett: Absolutely. So, if you don’t mind, let’s go back for a minute to the early research you did which was, I know, quite revolutionary at the time because I’m interested in how paradigm shifts like that happen and just curious to know what the reception was in the scientific community back then and how you think it came to pass that it ultimately was embraced because it has been.

Micheal M.: Right. It’s funny because it was interesting to come up with something that, in its time, was so … must be so astoundingly wrong to so many people. I remember a time as a young scientist, I was presenting some of these early findings in an audience of a very highly distinguished individuals and a Nobel laureate rose from the audience and said, basically, that in a very denigrating way that this could not possibly be true and that it was completely misleading the audience and that I should … and so it’s not that there’s a concern about something like that because you know the scientific information stands on its own.
You know you’ve collected data carefully and you know that you’ve gone through the logic and that no mistake has been made because we knew that what we were doing was contrary to the dominant belief. And we knew that we had to have everything lined up and our arguments had to be complete. But, still, the initial reaction was met with substantial level of hostility. The belief that the brain was fixed like the computer on your desk, hardwired, was so embedded and it was imagined to be a major accomplish in the achievement of brain science and it’s example of how everyone can be … because there was a perfect storm of information that misled people into believing that and to coming to that conclusion that reinforced one another. It was at the same time daunting and exciting to be able to contribute to what we realized from the outside was probably a major correction.

Josh Turknett: You had enough confidence in the science to know that ultimately it went out no matter what people were saying at the time.

Micheal M.: And then what happens over time, Josh, is that people do experiments that affirm it 1,000 and ultimately 100,000 times over. And so it reaches, within a few years, it reaches a point that really fundamental deniability for anyone that really was closely following the science. So, the truth always wins out. And ultimately that happened here of course.

Josh Turknett: Right, just like for that to happen quicker rather than slower.

Micheal M.: Exactly. One of the things that frustrated me about it was that I saw quite early, I saw the practical implications of it for medicine or for health and that’s still the progression of this advancing into medicine to change the way of thinking of medical doctors, neurologists and psychiatrists, all the people that are fundamentally interested in brain health has been so slow. So, I just wish there was some way that I could raise my whip on the [crosstalk 00:41:31]-

Josh Turknett: Yeah, well that’s part of this reason for this line of question is trying to figure out how to get people to embrace certain ideas. We’ve come a ways but there’s a ways to go, I feel, in a lot of different ways and do you have any … are there any particular applications that you see in the field of health?

Micheal M.: Well, I think one of the principle applications relates to how we think about things like the progression to dementia or Alzheimer’s or other dementias. After all, at some point, a person feels on a relatively elemental test, a metric test, they can’t tell you whether it’s a giraffe or a lion or whether they just remembered something that almost anybody could be inspected on. And then at that point they have Alzheimer’s disease. Well, did they have a week ago? How about a year ago or five years ago or 10 years ago? Did they have just a little bit of it and then how about a year later, they have more of it? The notion that you can draw some line of performance across the person’s history and say, “This is the point at which we should be concerned about their health. The health of their brain,” if, of course, nonsense.

I believe that we have it within our power now to actually evolve a practical medicine of the brain. By that I mean, when you go to the doctor there can be simple things that could be measured that would give a gentle index of rain health. For example, it would be very easy in a minute or two, it’s just as easy as taking your blood pressure, to determine whether or not your brain is operating accurately at speed. If it’s not operating accurately at speed, then that would be a first index like taking your blood pressure that all is not well inside. And now that would call for maybe a little deeper look, right? And we have the power. A person can go home on their computer or on a cell phone and then 20 or 30 minutes all kinds of things can be measured. And then that can lead to a more direct physical measurement in the brain. Just like you’d go to a more direct physical measurement of your heart or the state of your vascular system or your lungs.

So, we have it within our power now, Josh, to actually organize a strategy for continuous expansion of the health of your brain. And that should be something that comes into medicine as a regular course in medicine. So, anyway, one of my hopes is that this … is that we evolve to have a more sophisticated approach to this within the medical community and at the same time we evolve the understanding of the average citizen who that they’re doing a lot to make sure that they’re monitoring their own health, the health of their own brain. And basically taking care of it just like they’re looking in the mirror every so often at their body and they’re taking care of it. And I think that it’s within our power to really, radically change the quality of lives on the fiscal average by doing this.

Josh Turknett: Right, I think, too, part of the maybe resistance in the medical community towards doing that early assessment for different metrics is the notion that, “Well, what are you going to do with that information if you can find it?” There’s still this idea of inevitability about it and so obviously you and I would say that’s absolutely not true but still, but on the flip side it’s not only that we have ways of assessing breakdown at a far earlier level than we say it’s clinically manifest as a diseases. But, on the flip side we also have something we can do about it to reverse those changes in both of those messages. We also have something we can do about it to reverse those changes in both of those messages really need to get out there.

Micheal M.: Absolutely and you’re absolutely right. That is the second, great problem is that too many medical doctors have been trained to believe that in the hopelessness and limitations in the fates of people that have these or this or that diagnosis. It’s just so exaggerated. And it’s still a major problem in medical delivery and care. So many people basically suffer from that when there is real hope for them. And yet, that in a sense that’s denied to them by a medical doctor that really doesn’t know themselves what to advise a person to do.

Josh Turknett: Right. In the book, Soft-wired, you have several examples, stories from people that you’ve worked with in terms of some pretty impressive changes in plasticity. And those are, obviously, wonderful examples for people to know about just because it shows the scope of what’s possible. Is there anything or anyone in particular that stands out for you as a good example of that.

Micheal M.: Well, it’s hard to talk about because there’s another report from somebody who’s life has been changed by this that occurs almost weekly if not [crosstalk 00:46:57] weekly. And so, anybody can work intensely and we have people that are terribly brain damaged. I have a friend who was a former peacekeeper in the British army and he became my friend through his wife who basically was … he had a terrible, really a massive stroke, he had a substantial amount of brain removed as a consequence of recovery and the processes of recovery, nevermind how that occurred.

But, so he has a very misshapen head as a consequence. Which is very distracting to some people that see him. He visited me from the London a few weeks ago over a period of about four years, this guy was told, initially, “Why keep him alive? There’s no real point.” He’s amazing. Not that you wouldn’t know that he’s had brain damage but he’s an operational human being that can talk to you and understands what you’re saying. His speech is still a little funny, he still has a little bit of aphagia but by and large he’s with it, he’s happy, he’s having a great life, he was going to visit his daughters in New Zealand and he stopped by to see me.

And there are so many times you see somebody who’s been in some kind of major trouble who basically is restored to a life that’s still very positive and valuable, if not wonderful for them.

Josh Turknett: Yeah, and I recall early on in my neurology training before I entered it, the prevailing ideas in medicine were pretty nihilistic about neurological recovery and even early on seeing some cases, whether it’s stroke or other type of brain injury and the recoveries that would happen, I would see someone in the hospital and see them back in several months or a year later and see these remarkable things that I was totally unprepared for because that prevailing narrative was so strong. And that alone was enough to challenge him and say, “Wait a second. Something’s wrong here, there’s more capacity.”

Micheal M.: This guy would never walk and he would never … all this. And so he’s telling me about how he has about a half an acre around his house and he’s telling me about his, basically competing in the flower … at some local flower show in his community because he’s so into his garden and so into raising flowers, growing flowers and vegetables in his British garden. Come on. This person with a physically lost life and mentally out of it and never going to do anything useful or … I mean, there’s so many stories like that, you’re right. And why should it be surprising to you, the brain is plastic for god’s sake.

Josh Turknett: Right, it’s truly remarkable, some of the things that can happen. And it’s unfortunately still not widely know.

Micheal M.: Well, one of the things that isn’t known a lot of times, Josh, is the intensity it takes. You have to change the brain from some deep hole like this, it’s a lot of effort involved. There’s a lot of intense effort that has to be put in in order to drive the changes that can be corrected like this. And people way underestimate the requirements of rehabilitation commonly when the brain is wounded or when they’re really struggling.

Josh Turknett: Yeah, so much of the major learning that we do in early childhood is all scripted. It’s a major effort to learn to walk and talk but it’s all been programmed in so it happens naturally. So, then you have to deliberately will that process into being [crosstalk 00:51:11] to take advantage of it but it’s still there, that’s the point. It’s not, like you talked about the plasticity switch can still be turned on, we can still get all that stuff but it just requires a more concerted effort to take advantage of it in that scenario. So, before I let you go, can you tell me how you’ve applied your own understanding of the brain’s capacity to change as well as the ways in which it improves the health of the brain to your own life. How have you operationalized it for yourself?

Micheal M.: Well, I describe this to some extent in my book. It’s [crosstalk 00:51:49] an egoistic adventure. But, you could say that I’ve adopted a life of continuous learning, that’s the first thing. I’m a man of a 100 hobbies and so I have a [inaudible 00:52:06] garden and I have fruit trees and I have a vineyard and I have wood workshop and I make a pot. And I’m continually trying to improve my skills and abilities and artistic in the physical sense and as a craftsman and as a gardener and lots of other ways.

But, I just see a life of continuous self improvement. And these things really relate to things that I value, that I enjoy, I have fun and a lot of it relates to trying to figure out how to not just contribute to my own self development. But you can say to the [inaudible 00:52:46] other people around me. It’s about doing this in a social way, it’s about doing this in an interactive way, it’s like doing this with a level of generosity, other people around me, around our family. So, one of the ways we organize all of this activity is with other people. And other people help us make the wine and share in it. Other people help in gathering the fruit and making use of it in some fact or way. Other people help us pick our olives and make the olive oil or pickle the olives. All of these things.

So, I’m just trying to lead a richer personal life that values me and my brain. And that is a positive contributor that you could say to the brains of others. That’s one of my basic goals in life. Of course you’re always trying to continue to add to the richness of the information that you have that comes from understanding of things in the world. I’m trying to be a better person. I’m trying to have a deeper understanding, I’m trying to bring more joy and love into the world. I’m trying to do that with understanding.

Josh Turknett: And of course it’s all grounded in the belief that self improvement can continue as long as you’re alive, that it’s not something that [crosstalk 00:54:08]-

Micheal M.: You have the potential, I think, whoever you are out there, to continue to grow. You have this capacity to change for the better. Why wouldn’t you at least make an attempt to do that? Why go into retreat and wait for the end days? Why not turn things in a positive direction?

Josh Turknett: Absolutely. To me there’s nothing more fun. So, well I want to be respectful of your time so we’ll wrap up here in a second. Is there anything else that you’d like to share or any place you’d like to direct people who are listening to learn more about your and your work?

Micheal M.: Well, you can read my book Soft-wired, that’s a place to start. But, I’d just like to say to your audience that you’ve been given a great gift and it’s just an unbelievable power and it’s the power to change yourself, to change you because your brain is you. And to change you for the better to make yourself stronger and safer and more capable and more confident. And if a person doesn’t take advantage of this gift, they’re just a damn fool. So they should do it. They should consider this a call to action. And Josh, you’ve done a lot of things in this domain to help people exploit this gift. You’re another resource that people can look to as ways to exploit it. And why not look for a better and stronger life?

Josh Turknett: Yeah, and I think, as you probably do, too, that we’ve probably only begun to scratch the surface of what’s possible in this arena and so the more people who are trying to exploit this throughout the lives, the more we’ll learn about just what is possible. Well, it’s been a thrill to get to talk to you today. One thing, I think, worth noting is that you’ve done a great job not only of discovering new and important ideas but in figuring out ways of getting those ideas out of that ivory tower so that they can be of practical benefit in people’s day to day lives.

I think that’s something that needs to happen more and more and so that’s a great example. As I said, your work had a profound impact on the trajectory of my life and I’m sure that’s been true of many, many other people now. So, thank you for taking the time to come on the podcast and thanks also for the body of work that you’ve put out over your lifetime.

Micheal M.: It was really fun to talk with you, Josh, and to meet your audience in this strange way.

Josh Turknett: Okay, well thanks again to Dr. Merzenich for sharing his time here on the podcast, you’ll find links to where you can learn more about him and his research on the show notes for this episode. And if you want to check out his online brain training program which is based on the research he’s done over the years and one of the most rigorously tested tools in the brain training space, head over to brainhq.com. So, now I’ll share three of my key take aways from that interview. The first being that I think it’s really important to remember that this is all brand new, that this entire paradigm shift from thinking of the brain as fixed in structure to a dynamic continuously changing entity really just happened.

The body of research that ultimately overturned the fixed brain dogma was compiled in the latter half of the 20th century. And in the grand scheme of things, that’s yesterday. And so, as I mentioned in the last episode, we still have no idea what the boundaries are when it comes to our brain’s potential for change and have barely explored the way we can leverage it. So, I think it’s critically important to not prematurely cut off those channels else we just repeat the same mistakes of the fixed brain era. The second key take away is that plasticity itself is plastic. And I mentioned this in the last episode but I think it bears repeating and emphasizing partly because it’s an important principle on a personal level but also one, if we’re not aware, can and indeed has lead to false interpretations and conclusions about certain observations and data.

If slowing our pace of learning results in the brain down regulating the mechanisms that support it then new learning will become more challenging and I’ve witnessed this type of phenomenon as myself, someone who’s led a life of continuous learning is able to pick up a new and complex skill whether it’s learning a sport or a musical instrument, much more readily than someone of the same age who hasn’t led a life of continuous learning. And in childhood, those mechanisms are up regulated by default, they’re always on as part of the brain’s scripted developmental program. But keeping them on requires continuing to engage them.

And ignorance of this phenomenon will naturally cause us to underestimate the plastic potential of an adult brain. So, if we’re trying to understand what, if any decline in the plastic potential of the brain is due to biological aging by comparing child to adult learning performance, we’d have to control for this phenomenon to answer that question. And not only has this not been done but currently we’d have no idea how to do so because our present state of knowledge is too limited. So, again it’s [inaudible 00:59:25] to the point if not prematurely making conclusions that we cannot support.

And then my third key take away is that not only does our brain’s plastic potential exist throughout our lifespan but its benefits or the benefits of engaging it extend beyond learning or the ability to add new cognitive capacities. And there are now several lines of evidence that support this, which essentially spawn the entire industry of brain games. But, one of the most remarkable is the one mentioned in this interview in which in rats, 20 different age related cognitive processes involved in an auditory discrimination task were reversed through practice and training alone and that included both function and structural reversals. In other words, what we attribute to biological aging was reversed by training which of course begs the question of what we should actually be attributing to the aging process versus what we should be attributing to disuse.

And on the one hand, this seems surprising that the biological and physiological benefits of training and learning should be so robust. But, on the other hand, it makes sense. Our brain is essentially a learning machine and up regulating those mechanisms means that our learning hardware is being kept in peak condition. It has to devote energy and resources to maintaining that hardware and, of course, that really means maintaining all aspects of cognition but it’s still a pretty incredible thing.

So, not only do we possess this ability to alter the structure of our brain through nothing more than thoughts and learning and practice but altering the structure, not only improves our cognitive capacities but also the structural health and integrity of the brain and this also means that not only has the fixed brain dogma been a global constraint on human cognition, it has also had health ramifications in its likely contributions to cognitive decline and dementia and there’s a natural tendency already to learn less as we age and to rely on existing, built cognitive networks that run on autopilot and that idea was further reinforced by the idea that any significant new learning was biologically impossible.

And furthermore as Dr. Merzenich talked about in the interview, we’ve set up our worlds to be easy and our lives to be more convenient. And making it easier and easier to navigate our day on autopilot and disengage entirely. A phenomemon that will likely only amplify with the continued emergence of AI in our lives so figuring out how we can design our lives in ways that are still cognitively demanding and engaging that still require new learning will be an important problem to solve collectively. We already know we’ve paid a heavy price in terms of arranging our lives for convenience so we don’t need to be physically active and it seems we’re transitioning to less active mental lives as well.

Some may say we’ve already made that transition. Personally I think this is where the arts can hopefully fill that need there will always be a demand for humans making great art for each other and in my view, it’s the ultimate brain building endeavor as well because of its wide reaching cognitive demands. So, that’s it for my take aways. Remember that you can find the links mentioned and the full transcript for these episodes by going to elitecognitition.com/podcasts and you’ll see a menu of all the prior episodes.

Also, speaking of the arts as the ultimate in brain building activities we are still in the midst of the learn the ukulele challenge inside at the Brainjo collective and even though we’re about three months into it, you can still jump in anytime and all prior lessons are available to you and will remain available to you even after the challenge concludes. And of course we’ll be continuing to do these brain fitness challenges inside of the Brainjo collective as a means of leveraging this magical property of our brain and its brain protecting benefits.

So, to learn more about the learn the ukulele challenge and the brain fitness challenges in general, head over to elitecognition.com/fitness. And lastly, if you enjoy this podcast, it’d be awesome if you left a rating and review in iTunes to help other people find it. I’d really appreciate it. Okay, that’s it for this episode and I will see you next time.

Episode 33: How To Know If You’re Getting Better


by Josh Turknett, MD

About the Laws of Brainjo Series

Written in partnership with the Banjo Hangout, the “Immutable Laws of Brainjo” is a monthly series on how to apply the science of learning and neuroplasticity to practice banjo more effectively – these are also the principles that serve as the foundation for the Brainjo Method for music instruction.

(RELATED: The Brainjo Method forms the basis for the Breakthrough Banjo course. Click here to learn more about the course.)

What’s the single most frustrating thing when learning to play an instrument?

Not making progress. Or, at least, feeling as if you aren’t.

As mentioned in prior episodes, progress is the single greatest motivator when it comes to learning anything. Improvement is the reward we get for our efforts.

And it’s that reward that keeps us coming back.

It’s why I talk a lot about how to make progress (and it’s why ensuring continued progress, no matter how small, is a crucial element of the Brainjo Method).

Not getting better, or at least feeling like you’re not, is the reason almost everyone quits. You hit the wall, and you don’t know how to get over it.

It’s a problem that’s been amplified further by the double edged sword of the internet age – access to information on WHAT to play is more abundant than ever, leading many to jump aimlessly from one thing to the next without any guiding framework for the right things to work on and when, or HOW to learn it. The perfect recipe for stagnation.

One of the great challenges here is simply being able to tell if you’re still getting better. Change is hard to appreciate when you’re the one doing the changing.

Remember when you were a kid and people kept marveling at how much you’d grown, while you couldn’t figure out what the fuss was about?

So that’s part of the problem.

But even if you could observe yourself in the 3rd person at discrete intervals, what would you be looking for as signs of improvement? Sure, we can tell the difference between a beginner and a professional when we hear it. But there are a gajillion intermediate steps along that path – what do those steps look like?

In the early stages of learning, measuring progress isn’t too hard. When you go from never playing the banjo before to playing your first song, for example, it’s abundantly clear that you’ve made major progress.

But as your skills improve, knowing what the next step in your progression is, or where you should be putting your time an energy, becomes less and less obvious. Because if you can’t clearly define where it is you want to go, how on earth are you going to know how to get there?

In the last episode, I introduced the following graphic that summarizes this predicament – which is that oftentimes the scope of things we don’t know that we don’t know is greater than the scope of things we know that we don’t know.

Answering this question, and providing this sort of learning roadmap, is top priority for anyone involved in teaching music. So providing that roadmap is key to the Brainjo Method, and in this article I’ll be sharing the framework I use to help identify all of the obvious and not-so-obvious parts of playing the banjo.

Figuring that out has a lot to do with knowing the difference between the “hard” and the “soft” skills of banjo playing.

9 Ways to Practice Smarter – free book and video

The “9 Ways to Practice Smarter” is a collection of 9 essential ways to get more out of your banjo practice. Click the button below to download the book, along with access to the full video.

Download the book

THE “HARD” SKILLS

Every learned complex behavior we perform is composed of scores of various sub-skills, each with a dedicated neural subroutine that mediates their operation. And the entire reason we practice is to create those subroutines. 

In his book, The Talent Code, author Daniel Coyle refers to two major types of these sub-skills: “Hard Skills” and “Soft Skills.”

The hard and soft skills each have their unique set of key, non-overlapping attributes, and understanding these differing attributes is indispensable in helping us diagnose the primary issue when stagnation does occur.

Hard Skills are those that that we want to perform as correctly and consistently as possible, every time (note that the word “hard” here does not refer to their level of difficulty).

Hard skills are ones you could imagine being performed by a machine, where repeatable precision is the desired objective. Hard skills are comparatively easy to measure.

In the brain, most of the networks that mediate the hard skills will be distributed across the motor system (specifically, primary motor cortex, pre-motor and supplementary motor cortex, cerebellum, and basal ganglia).

Applied to the banjo, the hard skills are what many of us think of as the technical elements of banjo playing. Much of our practice time in the early to intermediate stages of expertise is directed towards learning the hard skills.

In the pie of banjo knowledge, hard skills are usually things “we know that we know,” or that “we know that we don’t know.”

For the most part, the hard skills also give us tangible sign of progress and growth.

When we go from one day not being able to fret a full D chord to fingering it with ease, we know we’ve accomplished something. And we know we’ve moved up a rung on the ladder of mastery.

As long as we have hard skills to learn and check of the to do list, we have progress that we can identify. This is one reason the early stages of learning are so gratifying.

Preventing stagnation in the acquisition of the hard skills is a matter of paying careful attention to the quality and sequence of practice – a topic we’ve covered in depth in several prior episodes. Hard skills are learned sequentially, and increase in complexity over time.

The motor networks in the brain that support the hard skills are built from scratch, based on the inputs we provide when we practice. Once those networks are built, they are quite literally a part of you.

Perform the same bad golf swing 3,490 times over the course of 5 years and it’ll be almost as much a part of you, and as unchangeable, as the color of your eyes. Which is why it’s best to take the time and care needed to learn it right the first go round.

When confined to the motor system, these learned neural subroutines may be referred to in common language as “muscle memory.” More broadly, we often refer to them as “habits.”

And habits are the ultimate double edged sword: a collection of good habits allows us to exploit the exponential gains of compound interest, while the accumulation of bad habits progressively constrains our future potential.

Ensuring that we form good habits is precisely why HOW we practice (the focus of this Laws of Brainjo series) matters as much or more than WHAT we practice (despite the fact that the WHAT gets the lion’s share of attention).

HOW THE HARD SKILLS GET YOU STUCK:

With the hard skills in particular, careful attention to the sequence of learning, and the nuances of effective practice is essential to continuing progress. Mistakes in learning the hard skills that lead to stagnation include:

  • learning multiple hard skills simultaneously
  • progressing from one to the next before automaticity has been achieved, or
  • learning them out of sequence

Any of the above leads to the formation of bad habits that are hard to unlearn.

Usually, these kinds of mistakes stem from trying to learn material that’s too technically advanced, too soon (for more on the importance of learning material appropriate to your level of development, click here to read about the Brainjo level system).

HOW TO GET UNSTUCK:

The adage “an ounce of prevention is worth a pound of cure” certainly applies here.  Pay careful attention to the sequence and structure of practice to avoid forming bad habits.

If a bad habit is identified, re-learn a better one immediately (do not continue to reinforce it, or press on in hopes that it will magically fix itself).

THE “SOFT” SKILLS

As mentioned, the other kind of sub-skills we can refer to as the “soft” skills.

As Coyle defines them, they are skills that “have many paths to a good result, not just one. These skills aren’t about doing the same thing perfectly every time, but rather about being agile and interactive; about instantly recognizing patterns as they unfold and making smart, timely choices.”

A tennis player’s backhand volley is a hard skill. A tennis player’s understanding of doubles strategy, along with when, where, and how to deploy the backhand volley, is a soft skill.

The distinction matters because, in many cases, we may not be aware that certain soft skills exist.

In the pie of possible banjo knowledge, soft skills are things “we know that we don’t know,” along with the things that “we don’t know that we know!”

And the distinction also matters because HOW we go about learning those soft skills is a different process.

In fact, many of the soft skills are not acquired through formal practice. Instead, they’re acquired through the operation of pattern recognition systems that run beneath our conscious awareness.

To learn them, our job then is to understand what inputs those systems need to create those skills, and seek them out.

Soft skills, like hard skills, are still embedded in neural substrates. And those substrates are still created through the learning process.

But, the soft skills of banjo are like advisors to our motor system. They help to formulate the plans for what we want to play in the first place, and provide that advice to the parts of the brain involved with controlling the movements of our limbs.

For example, a seasoned banjo player in a jam is drawing on all manner of learned soft skills, each one contributing to what we can appreciate as expert playing, even if we can’t articulate why.

Soft skills, by their nature, are harder to precisely define. Not surprisingly, they are often incompletely addressed, or neglected entirely, in musical instruction.

Yet, both the hard and soft skills are needed for mastery. And it’s the soft skills that usually separate the good from the great. 

HOW THE SOFT SKILLS GET YOU STUCK:

There are two primary ways in which the soft skills can pose an impediment.

The first is through ignorance, or simply not knowing that the specific skills that are needed (the “not knowing what you don’t know” part of the knowledge pie). When a soft skill stands in your way, you know you’ve hit a wall, but you don’t really know why. You know there’s a gap between where you are and where you want to be, but you don’t really know how to describe what that gap consists of, much less what you need to do to cross it.

The second is knowing what those skills are, but not knowing how to acquire them. A common problem, since most instruction is heavily focused on the hard skills.

HOW TO GET UNSTUCK:

The first step here is to cultivate an awareness that soft skills exist, and understand what they are. From there, it’s a matter of seeking out the kinds of inputs and information needed to develop them.

And so, in part 2, we’ll dig deeper into each of these to more precisely define the “hard” and “soft” skills of banjo playing. See you then!

— Click here to read Part 2 —


To learn more about the Breakthrough Banjo courses for clawhammer and fingerstyle banjo, click the relevant link below:

— Breakthrough Banjo for CLAWHAMMER Banjo —

— Breakthrough Banjo for FINGERSTYLE Banjo —


— The Laws of Brainjo Table of Contents —

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

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