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Clawhammer Tune of the Week: “Rock the Cradle, Joe”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab

Birthing the Brainjo

Recently, after Tim Gardner (master luthier at Cedar Mountain banjos) and I put the final touches on our most recent batch of Brainjo banjos, we took a break to share a few banjo and fiddle duets and hear these banjos come to life for the first time (a special thrill that never gets old).

Tim is not only a world class banjo maker, he’s also a master fiddler, as you’ll hear in the video (and he’s a great banjo player, too!).

In fact, I think his expert musicianship is a big part of why his banjos not only look great, but sound and play so fantastic.

The tune we play here, “Rock the Cradle, Joe,” has long been a favorite of mine. Turns out it was a favorite of Tim’s too.

(RELATED: The next batch of Brainjo banjos is currently in production, and due for completion next month. There are a couple left to be claimed, so a chance to snag one with a really short wait. Click here for details.)

Rock the Cradle, Joe

aDADE tuning, Brainjo level 3-4

rock the cradle joe clawhammer banjo tab

 

Notes on the Tab

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

[RELATED: Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

 

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

 

3 Reasons Why Playing Banjo Is Great For Your Brain (Laws of Brainjo, Episode 27)

Episode 27: 3 Reasons Why Playing Banjo Is Great For Your Brain

(NOTE: If you have a significant other in your life, particularly one who’s after you to do things to improve your health, and who may not always understand your obsession with the 5-string, this might be a good piece to share with them 🙂 )

Over the years in my work as a clinical neurologist, I’ve often been asked the question: “what should I do to keep my brain in shape, to help protect me from getting something like Alzheimer’s?”

Since one my areas of expertise is diseases of cognition – those that affect our ability to do things like speak, learn, remember, and solve problems – it’s a question I’ve been asked a great many times.

“Learn a musical instrument or a new language,” has been my typical reply.

Most are surprised by that answer, having expected me to direct them to the latest online “brain training” program, or to the latest and greatest supplement being hawked on late night infomercials, or perhaps encourage them to take up crossword puzzles.

Yet, there’s little doubt in my mind that learning to play a musical instrument ranks near or at the top of the list of brain building activities, certainly far surpassing any of the aforementioned contenders.

And that, of course, includes learning to play the banjo. In fact, for reasons I’ll explain below, it is ESPECIALLY true of the banjo.

 

Reason #1: It’s a “game level” intervention.

One way of categorizing any sort of treatment or therapy we might employ in the name of better health is by the level at which it acts.

The highest level of intervention would be at the level of human behavior.

And just as it’s far easier to win at Angry Birds by playing the actual game than it is to win by manipulating its source code in real-time, game level health interventions are almost always more powerful, and much less likely to crash the system.

This is why the health benefits from things like changing one’s diet or exercising regularly far eclipse anything that modern medicines, which operate far downstream in the biological cascade, have to offer.

Though in this pharmaceutical-loving era of ours we may try to convince ourselves otherwise, we truly have no idea how to predict the full spectrum of consequences when we monkey with our source code. This is a lesson we’ve learned more times than we can count.

So rather than a drug we might take to boost cognitive function, which acts crudely on a single restricted domain of an incredibly complex regulatory system, with remote effects and potential risks we’re not smart enough to predict, learning an instrument acts at the top-most “game” level, influencing the entire system in ways that support and amplify its own finely honed systems for maintaining good health.

 

Reason #2: It’s one of the most cognitively demanding tasks humans engage in.

In a prior “Your Brain on Banjo” article I summarized all the various cognitive networks involved in musical performance, in particular the ones engaged in a typical jamming situation.

The computational resources necessary to successfully pull off such a feat are immense, and if we measure activities that build brains in the same manner as we do those that build bodies – by total work load – then we’d be hard pressed to find its equal.

Generally speaking, the harder you work the brain, the bigger it grows. Cognitively demanding exercises build synapses, and stimulate the birth of new brain cells. Playing music literally grows brains.

And while we can’t be certain of the direction the arrow of causation points here, I think it’s no coincidence that so many of our greatest scientists and mathematicians have also been musicians.

The research in the area also indicates that the brain-building properties of musicianship are protective. The bigger your brain, the richer the connectivity, the more protection afforded against the ravages of aging and degenerative diseases.

 

Reason #3: It connects us.

Most of us drastically underestimate the importance of human connection to health.

But the research is abundantly clear on the issue. Loneliness and social isolation negatively impact health, down to the level of the cell.

Yet, one of the ironies of this age of communication and “connectivity” is that, in many ways, we’re more disconnected from each other than ever before (no, Facebook friends don’t count here).

Pick up the banjo, though, and you’re instantly part of a worldwide community of musicians and music lovers.

You’re now a member of the 5-string tribe, one that engages in a sacred ritual where people of all abilities come together to share their music. They come together to connect over an act so fundamental to the human experience that it’s found in every culture across the globe: gathering together for song and dance.

What exactly does this do for your brain?

Loneliness and social isolation, or the lack of connections with other humans, has repeatedly been shown to increase the risk of cognitive decline, increase the production of hormones linked to brain shrinkage and a heightened risk of Alzheimer’s, and suppress the birth of new brain cells.

In short, from the brain’s perspective, nothing good comes from it.

By contrast, those who feel well supported and who are socially connected have bigger brains, and maintain their cognitive faculties for longer. Being part of a tribe nourishes and protects the brain.

So there you have it! 3 great reasons why, if hanging onto your marbles for as long as possible is a priority, then pickin‘ the five is your best medicine.

To learn more about the Breakthrough Banjo courses for clawhammer and fingerstyle banjo, click the relevant link below:

— Breakthrough Banjo for CLAWHAMMER Banjo —

— Breakthrough Banjo for FINGERSTYLE Banjo —


— The Laws of Brainjo Table of Contents —

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo 1

 

Clawhammer Song of the Week: “Let the Mermaid’s Flirt with Me”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab

“The only reason I work at all is to drive the world from my door.”

– awesome song lyric

A few months ago I presented, “Corrina Corrina,” the first Song of the Week from the catalog of the mighty Mississippi John Hurt. I said there’d be more.

Well, here we are!

As mentioned then, Hurt’s relaxed, melodic country blues style of guitar picking and singing translates very well to clawhammer banjo. The two styles seem to share a healthy bit of musical DNA, which I think explains why it’s not uncommon to find musicians who play both.

The song itself is a humorous take on the trials and tribulations of life on earth, and an escapist vision of an afterlife in the sea surrounded by adoring and flirtatious mermaids.

I can think of worse things.

Let the Mermaids Flirt with Me

aDADE tuning, Brainjo level 3-4

let the mermaids flirt with me clawhammer banjo tab part 1

 

let the mermaids flirt with me clawhammer banjo tab part 2

 

Notes on the Tab

In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing.

Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”
  • Episode 34: “Big Rock Candy Mountains”
  • Episode 35: “Come to the Bower”
  • Episode 36: “Old Kentucky Home”
  • Episode 37: “Long Journey Home”
  • Episode 38: “Dixie”
  • Episode 39: “Hard Times”
  • Episode 40: “Corrina Corrina”
  • Episode 41: “She’ll Be Coming Round the Mountain”
  • Episode 42: “Johnson Boys”
  • Episode 43: “Bad Moon Rising”
  • Episode 44: “Reuben’s Train”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

Clawhammer Tune of the Week: “Scotland the Brave”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab

In the United Kingdom, they know it as “Scotland the Brave.”

Here in the United States, of course, we just refer to it as “the bagpipe song.”

So while you may not know this tune by its official name, unless you’ve been living under a rock with your ears plugged, you know this melody.

It’s fitting, I think, to adapt a classic bagpipe song to the 5 string banjo. The two instruments share some commonalities: both employ droning, both are often misunderstood, and both typically either evoke joy or disdain – and seldom anything in between – by those within earshot.

No surprise that I’m quite fond of the pipes myself, and I imagine this is true of most of your reading this.

[NOTE: For those considering adding a Brainjo banjo to their collection but are on the fence as to the particular setup they desire, this one is played on a “Tommy” model. Click here if you’d like to learn more, or claim one in the next batch]

 

Some of you may note that the time signature here is 4:4. Unlike the majority of banjo material, which can be written with a recurring 2 beat pulse, this is one case where a repeating 4 beat unit is needed to convey the STRONG-weak-weak-weak beat structure.

Though whether or not you understand the conventions of musical notations and time signatures is irrelevant, as all that matters is you place the beat emphasis in the right spot. And the best way to do so in this aural tradition of ours is to use your eyes, not your ears.

Scotland the Brave

gCGCD tuning, Brainjo level 3-4

scotland the brave clawhammer banjo tab part 1

scotland the brave clawhammer banjo tab part 2

scotland the brave clawhammer banjo tab part 3

Notes on the Tab

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

[RELATED: Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

 

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

 

Becoming Superhuman

I recently had the pleasure of being interviewed on Jonathan Levi’s Becoming Superhuman podcast.

It’s a show all about how we can maximize our learning potential, which as you may know is a subject I’ve been exploring most of my life.

In the interview, we spent most of our time talking about how to learn music, and the theoretical framework for the Brainjo Method, in particular how to apply our understanding of the science of cognition and neuroplasticity to learn music more effectively and efficiently, so that nobody gets left behind.

Those of you who are interested in the science behind the Brainjo Method, or just the topic of learning smarter will enjoy it I think (and you’ll also likely enjoy other episodes of the show as well!).

Click here to listen to the Becoming Superhuman show interview.

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