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7 Ways To Make An Old Song New Again (Song of the Week)

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab


Without question, adding new songs to your banjo repertoire is loads of fun. And with a never ending supply of great songs to learn, it can be tempting to just jump to the next song to learn as soon as you’ve got one under your for fingers.

But this week’s rendition of “She’ll Be Coming Round the Mountain,” which I’ve altered a bit from its usual presentation as an upbeat children’s number, got me thinking about just how much mileage you can get out of a single song.

Not only does taking the time to mess around with a song you already know often lead to a pleasing new way of playing it, it’s also a fantastic learning exercise.

So here are 7 ideas for squeezing out more goodness from a song:

  1. Change the tempo. I’m often surprised by how great a tune that’s typically played fast sounds when played slowly. It’s also a great way to appreciate and bring out the subtler nuances of a tune. Which likely explains why whenever I go through this exercise, my fast version almost always improves.
  2. Change the tuning. Take a tune that you play in standard G and try it in double C, for example (just note that this will change the key of the song). This is a particularly useful exercise if you’re still working your way around a new tuning.
  3. Make it a song. It was – and still is – commonplace for musicians to make up lyrics to sing with fiddle tunes. Over the years, we’ve developed a collection of these “floating verses” that are used for just these purposes – lyrics that can be mapped onto any melody when the mood strikes (or just make up your own – bonus points if they make no sense, or if they include a farm animal). Adding words almost always makes a tune more memorable, and more than likely will give you new ideas about how to play it on the banjo.
  4. Add a variation. Composing an original melody from scratch seem like a daunting task, especially if you’ve never tried it before. But like adding a detail to a story that’s already begun, adding a melodic variation to an existing tune is a more manageable place to start. It’s also an excellent exercise for developing your ear, and will help grease the wheels for more ambitious original compositions.
  5. Add a new part. For a slightly more advanced exercise, try taking an existing tune and adding an entirely new part (i.e. take a 2 part fiddle tune and add a 3rd part).
  6. Play it an octave higher. Most of a banjoists time is spent between frets 1 through 5. But trying to pick out a tune up the neck, an octave higher, can not only add another potential variation to play, it’s a great exercise for learning the nether regions of the fretboard.
  7. Change the instrument. As I’ve done here, if you have access to another instrument in the banjo family (e.g. gourd, minstrel, or mountain banjo), then try it on that instrument.

She’ll Be Coming Round the Mountain

gDGBD tuning, Brainjo level 3

coming round the mountain clawhammer banjo tab part 1

coming round the mountain clawhammer banjo tab part 2

 

Notes on the Tab

In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing.

Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”
  • Episode 34: “Big Rock Candy Mountains”
  • Episode 35: “Come to the Bower”
  • Episode 36: “Old Kentucky Home”
  • Episode 37: “Long Journey Home”
  • Episode 38: “Dixie”
  • Episode 39: “Hard Times”
  • Episode 40: “Corrina Corrina”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

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Clawhammer Song of the Week: “Corrina Corrina”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab


John Hurt of Avalon, Mississippi recorded his first album of country blues guitar in December of 1928 for Okeh Records. At the time, Okeh was combing the country looking for undiscovered folk and blues musicians to record for their successful line of anachronistically labeled “race records.”

After the recording, Mississippi John Hurt went back to sharecropping and playing his guitar for local dances and parties.

Over 30 years later those recordings were discovered by Tom Hoskins. The great folk revival was underway, and revivalists like Hoskins were thirsty for authentic and undiscovered roots musicians to share with the world.

Nobody knew the whereabouts of John Hurt, but a clue came in the form of one of the songs on the album, “Avalon.” The song included these lyrics, sung by Hurt: “Avalon, my home town, always on my mind”

Hoskins ventured to Avalon, and sure enough found it was still Hurt’s home town. Better yet, Hurt could still play.

It didn’t take long for Mississippi John Hurt became one of the most beloved figures in the folk revival movements, playing to spellbound audiences all over the country, including those at the Newport Folk Festival and The Tonight Show with Johnny Carson.

John Hurt has influenced countless musicians since.

With a voice like a warm blanket, a steady and hypnotic right hand, and a spirit of gentleness and humility perfectly captured by his less is more approach to picking, hearing Hurt doesn’t just make you want to play like him, it makes you want to be like him.

Mississippi John Hurt playing “Corrina Corrina”

After discovering his music myself years ago, I ventured to learn as much of his fingerpicking repertoire on guitar as I could. Not long ago I made the delightful discovery that his style could translate quite well to clawhammer banjo.

So this Song of the Week installment marks our first foray into Hurt’s catalog.

There will be more.

Corrina Corrina

aDADE tuning, Brainjo level 3

corrina clawhammer banjo tab part 1

corrina clawhammer banjo tab part 2

 

Notes on the Tab

In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing.

Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”
  • Episode 34: “Big Rock Candy Mountains”
  • Episode 35: “Come to the Bower”
  • Episode 36: “Old Kentucky Home”
  • Episode 37: “Long Journey Home”
  • Episode 38: “Dixie”
  • Episode 39: “Hard Times”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

Clawhammer Song of the Week: “Hard Times”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab


“Hard Times,” originally published in 1854, is the fourth Song of the Week selection penned by the great Stephen Foster. To put his influence in perspective, how many songs written by anyone this year will hominids still be singing in the year 2180?

It’s a beautiful melody, and its words beckon is to recognize the suffering of those less fortunate, and hopes for a better tomorrow for all.

It’s a sentiment that I doubt will ever go out of style. And one well suited to the reflective tones of the gourd banjo.

Hard Times

gDGBD tuning (tuned low on the gourd), Brainjo level 3

hard times clawhammer banjo tab part 1

hard times clawhammer banjo tab part 2

 

Notes on the Tab

In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing.

Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”
  • Episode 34: “Big Rock Candy Mountains”
  • Episode 35: “Come to the Bower”
  • Episode 36: “Old Kentucky Home”
  • Episode 37: “Long Journey Home”
  • Episode 38: “Dixie”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

And the winner is….

 

The 2017 March Madness Winner

The votes have been entered, tabulated, and kept as far from the accountants at Price Waterhouse Cooper as possible.

And the winner of the Song of the Week March Madness 2017 Tournament is….

 

I must say, I’m not surprised by this result.

Like the winners of the past 2 years’ contests, Snowdrop and Wandering Boy, this is simply an outstanding song. And my job in playing it is to figure out how to best do it justice, and then just get the hell out of its way.

As I said in the original Song of the Week post for “Darling Corey,” there may not be a better tune for showcasing all that’s great about the banjo. It’s in a funky tuning that on paper looks ridiculous…until you try it. It’s about whiskey making. And murder.

(right-click here if you don’t have the tab for “Darling Corey.”)

A couple takeways:

Don’t resist the alternate tunings. It’s a natural tendency to resist using the alternate tunings on the banjo, especially if you have experience on an instrument where doing so isn’t commonplace. But don’t. Almost always, those tunings exist because they make a song

a) easier to play and

b) sound better.

That couldn’t be more true in this case. Sure, you could play “Darling Corey” out of standard G, for example, but it wouldn’t sound half as good.

A great song played well beats anything else. I know I’ve said this before, but it bears repeating. For 3 years straight now, the winner has not been the song that’s the most technically complex or challenging to play, again affirming how little relationship between the technical sophistication required to play a song and the pleasure it delivers.

Music is still fundamentally about the transfer of feeling from one human mind to another. Anything that diminishes that objective gets the axe. The longer I play, the more I appreciate the value of subtraction.

Taking a great melody and playing it with good tone and timing really is what it’s all about.

 

And the runner-up spot, with a highly respectable showing, went to “Big Rock Candy Mountain.”

Thanks so much to everyone who took part in the voting. We’ll do it again next March!

 

[RELATED: The “10 Greatest Hits of Clawhammer Banjo” book of tabs was based on the results of the first two March Madness tournaments. Click here if you haven’t grabbed your copy of it yet.]

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

Song of the Week March Madness – 2017 EDITION!

 

Bring On The Madness!

Time again for what’s become one of my favorite annual traditions!

Those of you who’ve been with the tune and song of the week series know that it’s become tradition around here to conduct our own version of “March Madness,” our NCAA-basketball-tournament-inspired event to crown a winning tune from the past year.

For the first two tournaments, we crowned a winner from the “Tune of the Week” series. Our first winner was Snowdrop, and our second Wandering boy.

[RELATED: The “10 Greatest Hits of Clawhammer Banjo” book of tabs was based on those results. Click here if you haven’t grabbed your copy of it yet.]

 


2015 Winner: “Snowdrop”
2016 Winner: “Wandering Boy”

 

This year, we’ll turn our attention to the more recently launched “Song of the Week” series to crown one clawhammer song (i.e. – a tune with words to be sung.) victorious.

Based on the “thumbs up” votes they’ve already received thus far this year, the field has already been whittled down to 16 finalists.

Now it’s your turn to vote for you favorite one! To cast your vote, simply click the “thumbs up” icon on your favorite video or videos (feel free to vote as many times as you’d like!).

Based on the votes received over the next several days, we’ll narrow things down to 8 remaining contestants for the final round. Sheer madness! 🙂

HOW TO CAST YOUR VOTE(S)

STEP 1: Click on the link below to get to the 2017 Song of the Week March Madness playlist.

STEP 2: Cast your vote for your favorite songs (it’s ok to vote for more than one) by clicking on the “thumbs up” icon underneath the videos.

You can use the fast forward button or the playlist menu on the right of the page to toggle between the tunes.

STEP 3: Anxiously await to see if your favorite makes it to the next round!

CLICK HERE to View the 16 8 FINALISTS and Cast Your VOTE

 

Let the madness begin!


Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

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