Learn Clawhammer Banjo

Banjo Lessons for the Adult Beginner

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Clawhammer Tune of the Week: “Sail Away Ladies”

Click Here To Get The Tab


“Hey, isn’t that Sally Ann?”

If you detect a remarkable resemblance between today’s installment of the Tune of the Week and “Sally Ann,” then good work, your melodic signature detectors are firing on all cylinders.

These days, the Sally Ann you’re most apt to find in jams is played in the key of D, either as a 2 or 3 part tune (and covered previously in the Tune of the Week).

Uncle Bunt Stephens
Uncle Bunt Stephens

This particular version of Sally’s sister tune, “Sail Away Ladies,” comes packaged in the key of G, and is based on the version by fiddler “Uncle” Bunt Stephens (and one of the tracks on Harry Smith’s Anthology of Folk Music) . It’s speculated that the melody behind both of these tunes is one of the oldest in existence, so not surprising it has spawned many an offshot along the way.

If you lump it together with all of its melodic cousins, it’s quite possibly the most recorded fiddle tune of all time.

(Incidentally, for those of you looking to polish your ear learning and arrangement skills, taking a tune you already know in one tune and tuning and transposing it to another is a great exercise.)

Sail Away Ladies

gDGBD tuning, Brainjo level 3

sail away ladies clawhammer banjo tab

Notes on the Tab

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

 

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

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Clawhammer Song of the Week: “Big Rock Candy Mountains”

Click Here To Get The Tab


Lakes of stew.

Rubber-toothed bulldogs.

Ambulatorily challenged law enforcement.

Permanent socks.

Mountains made of rock candy.

This is the stuff of the hobo’s dreams. Who am I kidding, this is the stuff of anyone’s dreams!

First performed by Harry “Mac” McClintock in 1928, “Big Rock Candy Mountain” is another gem thrust back into prominence thanks to its inclusion in the Oh Brother Where Art Thou soundtrack – and one of the best set of lyrics ever penned. I defy you to play, sing, or listen to it without cracking a smile.

Thanks to Breakthrough Banjo member Anton M. for suggesting this as an addition “The Vault” (click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault)

Big Rock Candy Mountains

gCGCD tuning, Brainjo level 3

big rock candy mountain clawhammer banjo tab part 1

big rock candy mountain clawhammer banjo tab part 2

big rock candy mountain clawhammer banjo tab part 3

Notes on the Tab

In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing.

Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

Clawhammer Tune of the Week: “June Apple”

Click Here To Get The Tab


As some of you find yourselves firmly in the grasp of Old Man Winter, I figured it’d be a nice time to dream of biting into a crisp, tart June Apple (even if we spoiled sapiens now have the luxury of enjoying an apple in the middle of winter, albeit with an expanded carbon footprint).

It’s a longtime Round Peak favorite, hence it’s inclusion in the Georgia Jays’s Round Peak, Georgia album. There I played it on the half fretless, which I’ve replicated here as well.

Though labeled a “fiddle tune,” June Apple works especially well on solo banjo. It also works especially well for someone just getting his or her feet wet on the fretless. Not too notey, and forgiving of minor imperfections in intonation.

I’m playing it here in the key of G, but should point out it’s most commonly played in A on the fiddle – something to keep in mind of you find yourself in the company of a June-Apple-playing fiddler.

(RELATED: If you’re interested in a variety of jam tracks for June Apple, plus all 19 other songs on the album, click here to check out the Banjo Player’s Edition.)

June Apple

gDGBD tuning, Brainjo level 3

 june apple clawhammer banjo tab part 1june apple clawhammer banjo tab part 2

Notes on the Tab

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

 

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

 

Clawhammer Song of the Week: “City of New Orleans”

Click Here To Get The Tab


This week’s Song of the Week installment comes courtesy of Breakthrough Banjo member Joe G.

Like some of the prior suggestions, “City of New Orleans” was familiar to me as part of American cultural iconography, but one I doubt I’d have ever considered for a banjo adaptation.

So I’m very glad to have been nudged to do so!

While it’s outside of the traditional banjo canon of material, it covers territory that fans of the traditional stuff can easily relate to: trains, the passing of the railroad era and, more broadly, a way of life.

Just about every fan of the five can relate to these sentiments, as we all attempt to balance a desire to change, grow, and create with the desire to stay rooted in and preserve what we love most about the past. The struggle between old and new is one that promises to never go away.

It’s also just a wonderfully crafted bit of songwriting, written by Steve Goodman in 1971 and first recorded by Arlo Guthrie (Goodman reportedly bribed Arlo with a beer so he’d sit down long enough for him to play it for him), and covered widely since (Willie Nelson, Johnny Cash, Chet Atkins,…).

In the end, just as old time music enthusiasts have rescued many a great tune from obscurity, the declining “City of New Orleans” rail line was ultimately saved by Amtrak (click here to book your ticket!)

 

Notes on the arrangement: I play the song here out of double D (aDADE, or gCGCD raised 2 frets).. Those familiar with the tuning may still find an opportunity to learn some novel fingering positions, necessary to grab some of those newfangled chords in this more “modern” banjo song. 🙂

City of New Orleans

aDADE tuning, Brainjo level 3-4

city of new orleans clawhammer banjo tab part 1

city of new orleans clawhammer banjo tab part 2

city of new orleans clawhammer banjo tab part 3

 

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

 

Notes on the Tab

In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing.

Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

The Immutable Laws of Brainjo: The Art and Science of Effective Practice (Episode 22)

Episode 22: How To Use the Banjo to Slow Down Time

According to my calendar or, more accurately, my iPhone, 2017 has arrived.

But, if you’re like me, you may wonder where 2016 went. Or 2015. And wasn’t it just the other day we were freaking out about Y2K?

Yes, the older I get, the faster each year seems to pass by. Holidays and birthdays pile up, smearing together into an indistinguishable blur.

And I don’t like it, not one bit. I happen to enjoy my time on this planet, and I know that time is finite. None of us can know in advance how long this ride will last, but I’d much rather it feel like a slow walk I can savor rather than a speeding train that leaves me struggling to keep up.

Now, in this “Laws of Brainjo” series, I usually focus on how to use neuroscience to maximize learning, ways to hack into our brain’s source code to get the biggest bang for our practicing buck.

This installment is slightly different. We’ll still be hacking source code, but in this case it’s for the purposes of altering our perception of time. To bring a little more slow walking and a little less speeding train into our lives.

The good news? If you’re reading this, you’re already part of the way there.

Relatively Speaking

Throughout history, we humans have wrestled mightily with the concept of time.

Our intuition tells us that time is a property of the universe that exists independently of us. No matter what we do, it’s out there, marching forward at the same speed. In this view, time is fixed, unchanging, and regular, like the taunting tick of the metronome.

But Albert E. and his ingenious thought experiments demonstrated that these intuitions we have about time were actually completely wrong, no matter how true they may feel deep in our bones. Time, is in fact, relative. Even its forward movement isn’t some inviable, fundamental feature.

So perhaps it should not be surprising that our perception of time is also not fixed, but flexible. All minutes are not create equal. After all, everyone knows that “time flies when you’re having fun.”

The year it took to go from your 4th to your 5th birthday felt like an eternity. The year it took to go from your 49th to your 50th seems to go by in the blink of an eye.

One possible explanation for this phenomenon, and perhaps the most commonly held one, is purely mathematical. In relation to the rest of our lives, every minute we experience is relatively shorter than the preceding one.

For example, the year it took to move from age 4 to 5 was 20% of our time on this earth. The year we go from age 49 to 50? A mere 2%.

If this is indeed the only way our brain perceives the passing of time, then there’s no way out of this mathematical absolute. If this is true, then we are guaranteed to experience time as forever increasing in speed.

Of course, there’s more to this story. Otherwise this would make for a terrible article!

And the best part is that there IS something we can do about it. That our perception of time’s passing depends on much more than a cold mathematical analysis.

Learning To Prolong Time

When we’re young, bright eyed, and squishy, everything is new to us. We know nothing of the world around us, and must take it all in. By simply existing, our brain is bombarded with new and varied experiences all the time. Our conscious mind is forever in the present moment, because it HAS to be.

And there’s so much to learn!

As time goes by, however, we start to make sense of stuff, and we start to get the hang of how our bodies work.

Eventually, we develop a vast library of habits and routines that carry out all the maintenance tasks of being a functioning humanoid. Their machinery is housed beneath our awareness, in the “subconscious,” freeing up our conscious mind to occupy itself with other stuff, should we choose to do so.

And the research on time perception indicates that it’s this feature of childhood, this continuous barrage of new experiences and learning that is a key ingredient in how we perceive the passage of time. In studies of time perception, groups of subjects assigned to perform more novel tasks consistently judged the passing of time to be longer (in retrospect) than groups assigned less novel tasks.

Having new experiences, and learning new things, slows our perception of time. And so one antidote to time’s accelerating passing then is to always be learning.

The deck here is stacked against you a bit, mind you. As a child, continuous learning is an inevitable byproduct of existence. Loading your moments with new experiences and new things to learn as an adult, however, requires deliberate effort.

And the structure of our societies only compounds the issue. School, and learning in general, is usually viewed as something we do when we’re young. By adulthood, we’re supposed to know everything we need to know to make it in this world, whatever that means. As a result, it’s quite easy for us to move through our days on autopilot, relying mainly on our hard won habits, and then wonder where the time went.

But our brain’s remarkable capacity to learn new things doesn’t just up and vanish after childhood. We’re wired for lifelong learning. And the more we engage that remarkable capacity, the longer our days will seem.

As I said earlier, chances are if you’re reading this that you’ve already begun to hack your time perception. Attempting to tackle a musical instrument as an adult is a great way to make the seconds stretch. This is most true in the early stages, however, when there’s much to learn. If you want to continue to reap the time shifting capabilities of banjo picking, you’ll have to be a bit more intentional about continuing to push your boundaries – whether it’s trying a new genre of music, going to your first jam, or learning a new style of picking.

Not only will you grow in the process, but you might get to savor 2017 just a little while longer.

 

— The Laws of Brainjo Table of Contents —

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

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