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Banjo Lessons for the Adult Beginner

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Clawhammer Song of the Week: “Old Kentucky Home”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab


A captivating, memorable melody line, or “hook,” set to lyrics that evoke deep human emotions like heartbreak, longing, hope, and joy.

It’s a recipe for hit songwriting that has always worked, and that will always work as long as there are ears attached to human brains.

And it’s a recipe that was perfected – if not created – by the great Stephen Foster.

It’s on full display once again with this installment of the tune of the week: “Old Kentucky Home.” At its most basic level, “Old Kentucky Home” is a song about a longing for times and places that no longer exist.

Reportedly inspired by Harriet Beecher Stowe’s Uncle Tom’s Cabin, it’s also a song about the inhumane and unjust treatment of slaves in the pre-Civil War American South, one that was used by abolitionists to strengthen anti-slavery sentiment.

Like so many other Foster hits, it would ultimately become an inextricable swatch in the American cultural fabric.

Old Kentucky Home

aDADE tuning, Brainjo level 3-4

old kentucky home clawhammer banjo tab part 1

old kentucky home clawhammer banjo tab part 2

 

Notes on the Tab

In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing.

Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”
  • Episode 34: “Big Rock Candy Mountains”
  • Episode 35: “Come to the Bower”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

Clawhammer Tune of the Week: “Lord of the Rings Theme”

Click Here To Get The Tab


A few centuries ago, in the days of Bach, Beethoven, and Mozart, people packed the symphony hall to hear the works of the greatest compositional minds of the day.

Today, instead of symphony hall, we pack the movie houses to hear the works of our greatest modern day composers.

It’s easy to overlook what they do. Rather than being the focal point of the occasion, the role of movie music is supportive. Yet it’s absolutely essential to the final work of art – Star Wars without a soundtrack would’ve surely flopped.

As would the Lord of the Rings trilogy.

Beyond the fact that it’s produced by some of the greatest musical minds of our day, I’m also partial to movie music because its express purpose is to make us feel something. To heighten the emotional weight of a scene in a way that pictures and words alone could never do, which has always been music’s central role for me.

[RELATED: Click here to read Laws of Brainjo, Episode 23: “Feeling Your Way to Mastery”)

The Magic of “Alternate” Tunings

Newcomers to the banjo – especially those from a guitar background – are sometimes perplexed and [needlessly] intimidated by the common use of alternate tunings in clawhammer banjo. One of the many reasons for their use is how different tunings, simply through the sympathetic vibrations of unplucked strings, can affect the background “atmosphere” of a tune.

For a great illustration of this, listen at the 56 second mark in the video above when I transition to the 2nd theme, by striking the 1st string at the 1st fret. Despite having struck only one string, the entire tonality and mood (going from major to minor sounding in a flash) of the piece changes, all thanks to the influence of the other strings in this tuning.

Lord of the Rings Theme

aDADE tuning, Brainjo level 3

Lord of the Rings theme clawhammer banjo tab part 1

Lord of the Rings theme clawhammer banjo tab part 2

Lord of the Rings theme clawhammer banjo tab part 3

Notes on the Tab

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

 

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

 

The Immutable Laws of Brainjo: The Art and Science of Effective Practice (Episode 23)

Episode 23: Feeling Your Way To Mastery

If you’re in the business of running a commercial chicken hatchery, it’s important to be able to tell the male chicks from the female chicks. Turns out that doing so isn’t as easy as you might think.

As David Eagleman recounts in his book Incognito, it takes a good bit of practice to become an expert “chicken sexer,” requiring the ability to identify small details in the business end of a baby chick.

Back in the 1930s, the world’s most expert chicken sexers were in Japan, and folks from around the world traveled there to learn from the best. But here’s the odd thing: the expert chicken sexers couldn’t actually tell anyone how they did it.

They’d learned their craft simply by observing other expert chicken sexers. They’d just watch the experts sort, and over time would learn to do it themselves.

They couldn’t describe how they did it. They did it all based on a feeling.

 

Where the Magic Happens

Up until quite recently, we’d downplayed the importance of feelings in the realm of human cognition. Feelings were treated as the red headed stepchild of the mind’s inner workings, viewed largely as holdover from an earlier phase in our brain’s evolution. Feelings arose from an ancient, more primitive part of the brain, and so couldn’t always be trusted.

Our thoughts, on the other hand, those were the product of deliberations of our rational, conscious mind. That’s where the real substance of human intellect was to be found.

Not so fast.

If there’s one consistent theme that’s emerged in the last decade or so of cognitive science research, it’s that the most remarkable feats of human cognition aren’t the the product of, nor are they even understood by, our conscious mind.

The reason why an expert chicken sexer can’t tell you how he or she sorts a baby chick is because his conscious mind, the part that does the talking, doesn’t understand it either.

We’ve talked in prior episodes about the importance of listening in the banjo learning process. That while we listen, subconscious pattern detectors are busy crunching the auditory data, extracting out useful bits of information that will then inform our future playing. All this while our blissfully unaware conscious mind just sits back and enjoys itself.

So, if so much of our cognitive activity isn’t the domain of the conscious mind, how does the subconscious ultimately influence our behavior?

Through feelings.

The subconscious bits are always working, always busy crunching the bits and bytes of the day’s sensory data. But it’s only when those computations turn up something meaningful that the conscious mind becomes privy to their machinations. When those computations do lead to something important, it bubbles into the conscious mind as a feeling.

A feeling that then shapes our behavior.

For example, when the various compounds in a plant matter are chewed, digested, and then analyzed in the gustatory centers, the ultimate output to the conscious mind is a feeling – if it tastes good, then it’s likely a good source of nutrition or energy. If it tastes terrible, best not to swallow, as it may be poisonous.

 

Feeling Your Way to Mastery

Finding sources of musical inspiration is a critical component in the journey to musical mastery, as virtually every master’s story will attest. Nobody gets very far in isolation.

Number one, finding sources of inspiration is great for keeping your motivational fire burning. Chances are that’s how you arrived at the banjo to begin with.

But as your technical foundation solidifies and you shift to the business of creating your own style, those sources also provide a stylistic storehouse from which you can borrow and steal. Before you can find your own voice, you must first figure out what you like.

And so seeking out and identifying these sources should be a part of every player’s journey. But how exactly do you find the best ones? How do you find the ones that’ll make the biggest difference in your own story?

By following your feelings.

It’s easy to be seduced by feats of technical wizardry, especially lightning fast fingerpicking that’s explicitly designed to impress. “Wow, I can’t believe he can play like that. Maybe I can impress my friends and family with skills like that one day.” It’s easy to think that this should be the ultimate goal.

But resist those calls. Appeals to the intellect ultimately wear thin, and rarely sustain anyone for the long haul.

On the other hand, when you hear a player that makes you feel something – be it happy, sad, excited, or just…alive – pay attention. Better yet, take notice AND store it away so you can continue to revisit it. Whatever you do, don’t downplay or trivialize the importance of this type of response.

As you grow, continue compiling your own library of sources that connect with you in this way. Those are your gold mines.

Not only is this the more sustainable approach, but your audience will appreciate it, too (even if that audience is just you).

The stuff that makes you feel shouldn’t be viewed as something LESS THAN the stuff that appeals to our rational mind, as the above discussion illustrates. Those feelings are our brain’s way of calling our attention to the very best of what’s out there.


BRAINJO LAW #19: Pay close attention to other players that make you FEEL something, and study them.


— The Laws of Brainjo Table of Contents —

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo 1

Clawhammer Song of the Week: “Come to the Bower”

Click Here To Get The Tab


When Breakthrough Banjo member Ryne M. suggested I tackle this song and linked to a YouTube sample, I wasn’t prepared for the rush of nostalgia that was about to ensue (click here to read Ryne’s “Banjo Breakthrough” story).

*I know that voice*, I thought.

From where though?

Ah yes, the Pogues, that’s where!

Back in my teen years when I and my small circle of friends were feverishly searching for obscure music our top 40 loving peers would’ve never heard of, the Celt trad-punk band the Pogues, fronted by lead singer Shane McGowan, were a treasured find.

[Aside: Shane MacGowan, Blarney, Dungannon,…it’s really not fair. How did such a small island country end up with all the best names?]

 

So when Ryne’s link led me to MacGowan’s rendition of this week’s song, Come to the Bower, I took it as a sign, and got to work.

The song itself, a patriotic anthem of sorts, was written in the 19th Century as a call for Irish exiles in Europe and America to return home (the “Bower” here refers to Ireland).

I was tempted to render my best impersonation of MacGowan’s rough, 3-sheats-to-the-wind sounding brogue, but thought better of it.

Thanks again to Ryne for suggesting this fantastic song as an addition “The Vault.”

(click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault)

 

Note on the video: Some of you may recall that last fall my wife visited the Bower, taking a week-long bike trip around the Ring of Kerry. The pics used in the background of the video were a few from that trip of a lifetime.

Come to the Bower

aDADE tuning, Brainjo level 3

come to the bower clawhammer banjo tab part 1

come to the bower clawhammer banjo tab part 2

 

Notes on the Tab

In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing.

Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”
  • Episode 34: “Big Rock Candy Mountains”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

Banjo Breakthrough: Ryne M.

“Banjo Breakthroughs” is a recurring series that features a Breakthrough Banjo course member whose using the course to make his or her way along the Timeline of Mastery.

 

Breaking Bad Habits, Learning Drop Thumb, and Mining “the Vault“

If this picture is any indication, Breakthrough Banjo member Ryne M. clearly knows how to have a good time:

Breakthrough Banjo member Ryne M. clearly knows how to enjoy himself.

 

Ryne was a few months into his clawhammer journey when he first signed up for the course. He first got to work unlearning some bad habits, citing learning “proper technique” as one of the immediate benefits of the course:

“Prior I had been hammering from the elbow. This caused pain in the shoulder and forearm which discouraged me.”

Incidentally, this idea that one should play “from the elbow” is a common misconception beginning players have  – one that can not only lead to frustrated progress, but even pain, as Ryne can attest.

Dropping the Thumb At Last!

When asked specifically about the one thing he’d struggled with previously that the course allowed him to overcome? “Drop thumb,” he says (so far, this has been the most common answer to that question!).

After correcting some inefficient technique and finally getting down drop thumb, he’s now making fast progress:

“I’m already “successful” after only 8 months! I’ve been able to consistently sit with my banjo an hour a day for several months. Bonaparte crossing the Rhine is up to speed….theres so much more your course makes accessible. I’m not retiring anytime soon!”

Mining “the Vault”

And what’s his favorite part of the course?

“The Vault!!! When I plateau, I l’ll learn a new song.” 

Thanks so much to Ryne for sharing his experience inside the Breakthrough Banjo course.

As he mentions, The Vault, a.k.a. the ever-expanding Ultimate Clawhammer Song and Tune Library, has become his favorite part of the course. Click here to see the current list of songs and tunes available inside of it.

 — Learn More About Breakthrough Banjo —

 

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