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Banjo Lessons for the Adult Beginner

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7 Ways To Make An Old Song New Again (Song of the Week)

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab


Without question, adding new songs to your banjo repertoire is loads of fun. And with a never ending supply of great songs to learn, it can be tempting to just jump to the next song to learn as soon as you’ve got one under your for fingers.

But this week’s rendition of “She’ll Be Coming Round the Mountain,” which I’ve altered a bit from its usual presentation as an upbeat children’s number, got me thinking about just how much mileage you can get out of a single song.

Not only does taking the time to mess around with a song you already know often lead to a pleasing new way of playing it, it’s also a fantastic learning exercise.

So here are 7 ideas for squeezing out more goodness from a song:

  1. Change the tempo. I’m often surprised by how great a tune that’s typically played fast sounds when played slowly. It’s also a great way to appreciate and bring out the subtler nuances of a tune. Which likely explains why whenever I go through this exercise, my fast version almost always improves.
  2. Change the tuning. Take a tune that you play in standard G and try it in double C, for example (just note that this will change the key of the song). This is a particularly useful exercise if you’re still working your way around a new tuning.
  3. Make it a song. It was – and still is – commonplace for musicians to make up lyrics to sing with fiddle tunes. Over the years, we’ve developed a collection of these “floating verses” that are used for just these purposes – lyrics that can be mapped onto any melody when the mood strikes (or just make up your own – bonus points if they make no sense, or if they include a farm animal). Adding words almost always makes a tune more memorable, and more than likely will give you new ideas about how to play it on the banjo.
  4. Add a variation. Composing an original melody from scratch seem like a daunting task, especially if you’ve never tried it before. But like adding a detail to a story that’s already begun, adding a melodic variation to an existing tune is a more manageable place to start. It’s also an excellent exercise for developing your ear, and will help grease the wheels for more ambitious original compositions.
  5. Add a new part. For a slightly more advanced exercise, try taking an existing tune and adding an entirely new part (i.e. take a 2 part fiddle tune and add a 3rd part).
  6. Play it an octave higher. Most of a banjoists time is spent between frets 1 through 5. But trying to pick out a tune up the neck, an octave higher, can not only add another potential variation to play, it’s a great exercise for learning the nether regions of the fretboard.
  7. Change the instrument. As I’ve done here, if you have access to another instrument in the banjo family (e.g. gourd, minstrel, or mountain banjo), then try it on that instrument.

She’ll Be Coming Round the Mountain

gDGBD tuning, Brainjo level 3

coming round the mountain clawhammer banjo tab part 1

coming round the mountain clawhammer banjo tab part 2

 

Notes on the Tab

In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing.

Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”
  • Episode 34: “Big Rock Candy Mountains”
  • Episode 35: “Come to the Bower”
  • Episode 36: “Old Kentucky Home”
  • Episode 37: “Long Journey Home”
  • Episode 38: “Dixie”
  • Episode 39: “Hard Times”
  • Episode 40: “Corrina Corrina”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

Clawhammer Tune of the Week: “Game of Thrones”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab


“…and your joy will turn into ashes in your mouth.”

– Tyrion Lannister

First came Star Wars.

Then it was Lord of the Rings.

And now comes the third entry in our series of banjo adaptations of sci-fi / fantasy cultural juggernaut theme music. This time we’re venturing into the dark, brutal, and morally ambiguous world created by George R. Martin: “Game of Thrones.”

And with it, we’ve completed what heretofore shall be known as the Banjo Geek Trifecta.

Fans of the series will appreciate the surprise ending, which the opening quote places in appropriate context.

The Tabs

In the “double banjo” version in the video, the two banjos trade off playing the lead role (part of the reason for including the gourd banjo in this recording was to help recreate the lower register from in the original version).

The first tab below is for solo banjo, as I imagine most of you won’t have the fortune of having a virtual clone or gourd wielding ally nearby.

For the lucky few of you that do, I’ve also included the arrangements for double banjos (“modern” banjo tuned to gCGCD, and gourd banjo tuned an octave lower to cGCD#C (C minor tuning)).

Also make note of the 3:4, or waltz, time signature, which means you’re underlying rhythmic structure is “bum-ditty-ditty, bum-ditty-ditty,..”

(UPDATE: A recording of the solo rendition can now be heard by clicking here.)

Game of Thrones (solo banjo)

gCGCD tuning, Brainjo level 3-4

game of thrones clawhammer banjo tab part 1

game of thrones clawhammer banjo tab part 2

game of thrones clawhammer banjo tab part 3

 

Notes on the Tab

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

[RELATED: Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.]


DOUBLE BANJO VERSION

Game of Thrones, Banjo #1 (modern banjo)

gCGCD tuning, Brainjo level 3-4

game of thrones clawhammer banjo tab part 1

game of thrones clawhammer banjo tab part 2

game of thrones clawhammer banjo tab part 3

Game of Thrones, Banjo #2 (gourd banjo)

cGCD#G tuning, Brainjo level 3-4

game of thrones gourd banjo tab part 1

game of thrones gourd banjo tab part 2

 

Notes on the Tab

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

 

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

 

Clawhammer Song of the Week: “Corrina Corrina”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab


John Hurt of Avalon, Mississippi recorded his first album of country blues guitar in December of 1928 for Okeh Records. At the time, Okeh was combing the country looking for undiscovered folk and blues musicians to record for their successful line of anachronistically labeled “race records.”

After the recording, Mississippi John Hurt went back to sharecropping and playing his guitar for local dances and parties.

Over 30 years later those recordings were discovered by Tom Hoskins. The great folk revival was underway, and revivalists like Hoskins were thirsty for authentic and undiscovered roots musicians to share with the world.

Nobody knew the whereabouts of John Hurt, but a clue came in the form of one of the songs on the album, “Avalon.” The song included these lyrics, sung by Hurt: “Avalon, my home town, always on my mind”

Hoskins ventured to Avalon, and sure enough found it was still Hurt’s home town. Better yet, Hurt could still play.

It didn’t take long for Mississippi John Hurt became one of the most beloved figures in the folk revival movements, playing to spellbound audiences all over the country, including those at the Newport Folk Festival and The Tonight Show with Johnny Carson.

John Hurt has influenced countless musicians since.

With a voice like a warm blanket, a steady and hypnotic right hand, and a spirit of gentleness and humility perfectly captured by his less is more approach to picking, hearing Hurt doesn’t just make you want to play like him, it makes you want to be like him.

Mississippi John Hurt playing “Corrina Corrina”

After discovering his music myself years ago, I ventured to learn as much of his fingerpicking repertoire on guitar as I could. Not long ago I made the delightful discovery that his style could translate quite well to clawhammer banjo.

So this Song of the Week installment marks our first foray into Hurt’s catalog.

There will be more.

Corrina Corrina

aDADE tuning, Brainjo level 3

corrina clawhammer banjo tab part 1

corrina clawhammer banjo tab part 2

 

Notes on the Tab

In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing.

Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”
  • Episode 16: “Darling Corey”
  • Episode 17: “Battle Hymn of the Republic”
  • Episode 18: “America the Beautiful”
  • Episode 19: “Bury Me Beneath the Willow”
  • Episode 20: “Way Out There”
  • Episode 21: “New Slang”
  • Episode 22: “I Saw the Light”
  • Episode 23: “Amazing Grace”
  • Episode 24: “Blowin’ in the Wind”
  • Episode 25: “Yankee Doodle”
  • Episode 26: “Budapest”
  • Episode 27: “Wildwood Flower”
  • Episode 28: “Paradise”
  • Episode 29: “Mountain Dew”
  • Episode 30: “Blue Tail Fly”
  • Episode 31: “Otto Wood”
  • Episode 32: “Down on the Corner”
  • Episode 33: “City of New Orleans”
  • Episode 34: “Big Rock Candy Mountains”
  • Episode 35: “Come to the Bower”
  • Episode 36: “Old Kentucky Home”
  • Episode 37: “Long Journey Home”
  • Episode 38: “Dixie”
  • Episode 39: “Hard Times”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

The Advantages of Having an Adult Brain (Laws of Brainjo, Episode 25)

Episode 25: The Advantages of an Adult Brain

“I’m in my 60s and i have never played instrument. Can I still learn to play the banjo?”

This question, or some variation of it, is one I receive quite often. Buried inside it are a whole range of assumptions. Assumptions about childhood, about inborn talents and abilities, and about the ability of older brains to learn new things.

Hopefully, those of you who’ve read this series will know that the immediate answer to that question is: Absolutely!

We all possess a brain capable of changing itself throughout our life. And since changing the brain is the biological foundation of all learning, we can learn to play any new skill, including playing an instrument, whether we’re 8 or 80.

Be that as it may, there are some who may still believe that starting out “later in life” is a disadvantage.

But I’d argue just the opposite.

I’d argue that, while there may be certain advantages to learning during childhood, the scales tilt in favor of the older brain. Here’s why:

[RELATED: The Breakthrough Banjo courses for fingerstyle and clawhammer were specifically designed to maximize the learning potential of the adult brain. Click on the link to the style you’re interested in to learn more the courses.]

 

4 Advantages of Having An Adult Brain

Adult Advantage #1: FOCUS

Focused, undivided attention is essential to learning. It would be wasteful for us to remember everything in the course of our daily life, and it’s only when we pay close attention to something that our brain tags it for further encoding and storage while we sleep.

Attention, then, is the gatekeeper of neuroplasticity. In other words, sustained, single minded focus is required for our brain to change itself in response to practice.

When we play close attention to something, widely connected neurons towards the base of the frontal lobe bathe their targets in the neurotransmitter Acetylcholine. It’s the chemical cue that says “this is important.”

In childhood, those circuits mediating attention and concentration haven’t fully matured. Anyone who’s spent time around a 9 year old boy can attest that sustaining focus isn’t typically his strong suit. And these circuits don’t fully mature until we’re in our early 20s.

Adult Advantage #2: DELIBERATE PRACTICE

As covered in Episode 1, how we practice matters far more than how much we practice. Those outliers who reach mastery several times faster don’t do so by dint of DNA, but because they practice strategically.

They focus relentlessly on areas of weakness until they become areas of strength. And they don’t waste time practicing what they’ve already learned well. This process is sometimes referred to as “deliberate practice.”

Deliberate practice not only requires careful planning, but an honest appraisal of one’s abilities – and honest self assessment is also something that improves with age. As the years and life’s hard knocks accumulate, ego declines, and humility rises. Our finely honed inner critic can be an asset, provided we put it to good use.

Adult Advantage #3: Motivation.

Let’s face it, most kids taking music lessons don’t actually want to be there. I imagine we could end world hunger if we could get recover all the money wasted on piano, guitar, and violin instruction during childhood.

Learning can’t be forced. It just isn’t going to happen without the desire to learn. You can’t manufacture intrinsic motivation.

But this isn’t a problem for the adult learner. If you’ve decided to tackle the 5-string later in life, you’re doing so because it’s something you really want.

Those childhood “prodigies” that show up in your Facebook feed playing Foggy Mountain Banjo at blistering speed capture our attention precisely because they are extraordinary. They’re the exceptions that prove the rule.

Adult Advantage #4: TIME.

I’m specifically talking about those of you who’ve decided to take the banjo plunge in your golden years, after you’ve shed many of the responsibilities of work and family and are now free to pursue passions you’ve kept on the back burner.

You have the time to not only practice, but to do all those other things that feed your banjo-learning brain, like listening to copious amounts of great music, studying those banjoists you love most, and getting out and playing music with your peers.

Stealing From Children

Now, don’t get me wrong. The deck isn’t stacked entirely in the favor of those with a well aged noodle. Things do slow down a bit inside the brain as we get older.

Thanks to things like advanced glycation end products and oxidative damage, the speed of a typical human’s nerve impulses decline by roughly a tenth of a second every 10 years. That’s not huge, but it’s enough to matter.

Even that decline is not an inevitable product of aging, however, and something that can likely be modified through diet and lifestyle (the precise details of which are beyond the scope of this discussion). Furthermore, the magnitude of slowing also isn’t enough to matter when it comes to the demands of music making.

I saw Doc Watson playing live well into his 80s. Even though I imagine he could’ve played at a faster clip 50 years prior, not once did I think to myself “sounds great, if only it were faster.”

Sure, losing those lightning fast neuronal transmission speeds of youth means you probably won’t be setting the world record for speed picking in your 60s, but it’s a happy coincidence that, by the time you’ve reached that age, you’ve long ago stopped caring about such things.

The other area where the kids have the advantage, and where we bigger folks should take note, is that kids aren’t afraid of screwing up. As covered in Episode 4, failure is essential to the learning process. In fact, it’s in the analyzing, understanding, and correcting of our mistakes where we improve.

And the single biggest obstacle the adult learner faces is in overcoming the concern about screwing up. Kids, who tend to show up without any preconceived expectations or insecurities, don’t typically grapple with these issues.

“Whether you think you can or you think you can’t, you’re right”

– Henry Ford        

Never Too Late

It literally is never to late to start. And hopefully I’ve convinced you that, beyond that, starting late gives you a distinct set of advantages.

And besides being loads of fun, learning to play the banjo has other benefits, too. You’ve probably noticed the explosion of “brain building” games and apps in recent years, a response to research showing the health benefits of exercising one’s brain.

But, as someone who’s spent his professional life caring for those with brain disease, when it comes to counteracting the forces of aging, or fortifying yourself against degenerative brain disease, you can’t do any better than learning to play a musical instrument.

If you really want to grow your brain, put down the crossword puzzle, or the Lumosity app, and pick up the banjo instead.

To learn more about the Breakthrough Banjo courses for clawhammer and fingerstyle banjo, click the relevant link below:

— Breakthrough Banjo for CLAWHAMMER Banjo —

— Breakthrough Banjo for FINGERSTYLE Banjo —


— The Laws of Brainjo Table of Contents —

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo 1

 

Clawhammer Tune of the Week: “Ed Haley’s Boatman”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab

 

Ed Haley once told Skeets Williamson “I like to flavor up a tune so that nobody in the world could tell what I’m playing.”

And how!

(pardon this interruption, but I must take an opportunity to ensure that you appreciate the name “Skeets”. They just don’t make names like they used to.)

The intricate and expressive bowings of Ed Haley have bewitched many a fiddler over the years, perhaps notably John Hartford, who recorded two Grammy nominated albums of Haley’s tunes (and as if emulating his complex and technique-driven style wasn’t challenging enough, many of the existing recordings of Haley’s playing blurs the line between low fidelity and noise).

But those who’ve endured have found the struggle well worth the effort.

Born in Logan County, West Virginia in 1885, Haley lost his sight to the measles virus at the age of 3, but was ultimately able to channel that setback into a prodigious gift with the devil’s box.

He’s a legend in the world of old time fiddle, though his approach would be considered idiosyncratic compared to what’s most often heard these days. Rather than see a tune as a fixed entity, Haley used it as a launching point, a canvas upon which he could paint his own variations, and embellish with structural alterations.

Case in point, those of you who’ve learned the Boatman from the August 2014 Tune of the Week will find some notable melodic and structural departures from that version.

I first heard Haley’s Boatman on the banjo from Mac Benford, who recorded and released it as part of his album “Half Past Four.” Mac’s ambitious mission there was to re-create the nuances of Haley’s fiddling on the banjo (I highly recommend it – it remains one of my favorite banjo albums).

I’ve borrowed quite liberally from Mac with my version. If you’re going to steal, might as well steal from the best.

Ed Haley’s Boatman

gDGBD tuning (tuned low on the gourd), Brainjo level 3

boatman clawhammer banjo tab part 1

boatman clawhammer banjo tab part 2

Notes on the Tab

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Click here for a current list of all the clawhammer songs and tunes currently available inside of The Vault

 

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

 

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