Banjo Lessons for the Adult Beginner
Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!
Back in the 2nd grade, several of my classmates, without my express written consent, bestowed me with the nickname “Squash” (it rhymes with Josh).
While my friends could use it as a [non-sanctioned] term of endearment, others could wield my dislike of it to more sinister aims.
I needed a way to disarm them. And I knew that protesting only made them stronger.
With the help of my family, we hatched a counterattack. We would create a shirt with the name “Squash” written across the back for me to wear to school.
The plan worked. Now that the nickname had my clear endorsement, I’d rendered it impotent as a weapon of ridicule.
Yes, I am going somewhere with this. Because, you see….
Back in the time of the French and Indian war, as story goes, the British soldiers didn’t think too highly of their American fighting companions.
At the time, a “macaroni” was the term for a young British man who’d spent time traveling the European continent and had come back with a new air of culture and sophistication. The bumbling and backwards Americans, envious of the worldly Europeans, would sometimes make superficial attempts to give a similar impression.
Like stuffing a feather in their cap, and calling themselves “macaronis.”
They were the Yankee Doodles (a “doodle” being synonymous with an idiot) and the Brits created a song to mock them.
Yet, the strategy ultimately backfired. The Americans, rather than rale against the mockery, embraced the song, ultimately transforming it into the patriotic diddy we all know and love.
“Doodle”
“Squash”
The more things change, the more they stay the same.
Notes on the Tab
In this arrangement, what I play while singing is essentially the same as what I play during the “solo” parts. As such, there is no separate vocal and lead break arrangement.
Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.
For more on reading tabs in general, check out this complete guide to reading banjo tabs.
Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.
Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!
“Pretty Little Girl” is one of those tunes that I’m quite certain I’ve played a time or two at jams, but hadn’t heard outside of that context. And had it not been for member Jim H. requesting it, I may never have added it into my permanent stable.
(RELATED: Breakthrough Banjo members can now request songs to be added to the clawhammer song library. Click here for more information about the course.)
There’s a handful of half-length fiddle tunes like this one that are super catchy, easy to pick up, and as a result make for excellent jamboosters.
It’s a bite size, snack-able morsel of a tune. While it may be short in stature, I think you’ll find it surprisingly hard to stop playing once it’s under your fingers!
(Note: I’ve just now created a group on Facebook for posting and discussing all things related to the clawhammer tune and song of the week series. If you’re interested, click here to check it out and join the group.)
Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.
For more on reading tabs in general, check out this complete guide to reading banjo tabs.
Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.
Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!
Bob Dylan, composer of this edition of the Song of the Week, didn’t initially set out to write his own songs.
In his autobiography “Chronicles,” he reports that he first had his sights on being a folk singer, singing songs for the people written by the people.
Back in early 60s, back when he was trying to make a name for himself doing just that, he crossed paths with Mike Seeger. This encounter would forever alter the course of Dylan’s musical life.
For those of you who don’t know, Mike was (and still is) a legend in the world of old time music and a true friend of the five. I had the opportunity to spend some time around him very early on in my banjo playing days, an experience that influenced the course of my musical life as well.
Here’s what Dylan says of his first experience hearing Mike play:
“He played all the instruments, whatever the song called for—the banjo, the fiddle, mandolin, autoharp, the guitar, even harmonica in the rack….He played on all the various planes, the full index of old-time styles, played in all the genres and had the idioms mastered—Delta blues, ragtime, minstrel songs, buck-and-wing, dance reels, play party, hymns and gospel—being there and seeing him up close, something hit me. It’s not as if he just played everything well, he played these songs as good as it was possible to play them.”
“As for being a folk musician, he was the supreme archetype. He could push a stake through Dracula’s black heart. He was the romantic, egalitarian and revolutionary type all at once.“
That’s some heady praise.
Dylan realized that Seeger was doing the thing he’d set out to make a name for himself doing as well as anyone could do it, and decided to change course by writing his own songs:
“Sometimes you know things have to change … Somebody holds the mirror up, unlocks the door, and your head has to go into a different place…“
The songs of Dylan are such an American historical and cultural touchstone, it’s hard to imagine a world without them. Yet another part of Mike Seeger’s enduring legacy.
Notes on the Tab
In the tab above, you’ll note I’ve tabbed out both a “lead break” (something to play in between verses) and the “vocal backup” (what I play while I’m singing).
Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.
For more on reading tabs in general, check out this complete guide to reading banjo tabs.
Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.
Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!
Up this week is another tune by member request, this time for the [typically] rollicking 4-part fiddle tune “Hangman’s Reel.”
Specifically, the request from member Michael M. was for the version played by Chris Coole on his “Old Dog” album. It’s a soothing and plaintive rendition, and a recording I wasn’t already familiar with.
It contains some unique variations from the way I’d typically played it, and including them has breathed some new life into the tune for me.
(RELATED: Breakthrough Banjo members can now request songs to be added to the clawhammer song library. Click here for more information about the course.)
Whereas “Hangman’s Reel” is typically played in the key of A, on the aforementioned album it’s played in the key of F#, in a banjo tuned down a half step from standard G, and with what sounds like an extra bass string, which gives it some fine low end growl.
But, if you’re just picking up this tune for the first time, and it’s possible you’ll find yourself playing it with others at some point down the road, then file this one away in your noggin’ in the “A tune” compartment (which is where I’ve played it here).
(RELATED: I get asked a good bit about how to best navigate between all the various tunings. When to capo, when to just tune up, how to handle the 5th string, and so on…I recently made a video lesson on the subject, which you can click here to view).
Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.
For more on reading tabs in general, check out this complete guide to reading banjo tabs.
Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.