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Banjo Lessons for the Adult Beginner

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The 2016 Tune of the Week Champion

I must say, you folks have good taste.

What started with a field of roughly 50 tunes (from a year’s worth of the Tune of the Week series) has been narrowed down to one winner:

Click Here To Get The Tab

I really enjoy doing these contests, so let me first say a big thanks to everyone who listened, participated, and humored me by casting a vote.

It’s a good reminder that, even in the niche world of clawhammer banjo, we all have our own distinctive tastes, as every tune received a respectable share of votes.

And it’s also a good reminder that a great melody, played simply, always trumps a lesser one, played complicated.

It’s so easy to fall into the complexity trap. It seems almost a basic fact of human nature for us to be biased towards believing that the more complicated beats the simple. If something is harder to make, write, play, etc., then it must be better, right?!?!

Even if we can recite countless examples from our own lives where this isn’t true…

A simple burger and fries is often more satisfying than the finest gourmet meal, a 2-minute, 3-chord rock song more soul stirring than a 2 hour symphonic “masterpiece.” And so on.

It’s not the tunes with the most technically intricate arrangements, with the most drop thumbs per square foot, that resonate with the most people. Nope.

The ones that do are just really, really good melodies.

And the best part of this is that, even if you’re still fairly new to the world of banjo, with some basic techniques under your belt, you can make really, really great sounding music. Just choose a great melody and play it simply, cleanly, and with good timing.

One reason I include Brainjo level 2 arrangements of all the tune of the week tunes inside the Breakthrough Banjo course is to ensure that every member is always able to make great sounding music no matter where they’re at on the Timeline of Mastery.

But another reason I do it is to drive home this notion that things don’t have to be overly complicated to sound great. It’s very easy to make something sound by adding too much, but seldom do you make something worse by pruning things down to the essentials.

Case in point, here’s the Brainjo level 2 arrangement of Wandering Boy.

There are a few less technical flourishes than the original Tune of the Week rendition, but does it sound any less wonderful? I don’t think so. It’s just an outstanding tune.

So the take home message from this year’s Tune of the Week March Madness?

Avoid the complexity trap.

As you grow as a player and your technical capabilities expand, it becomes increasingly tempting to use everything you’ve got. You’ve worked hard for those chops, so you want to put them in action! At this point, knowing what NOT to play becomes as or more important to making good music as knowing what TO play.

Wandering Boy

gCGCD tuning, Brainjo level 2

Wandering Boy clawhammer banjo tab part 1

Wandering Boy clawhammer banjo tab part 2

Click Here To Get The Tab


Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

[/su_note] brainjo larger musical mind

Clawhammer Song of the Week: “Leaving Home”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here to Get the Tab


 

“Frankie just aimed with the forty-four, five times with a rooty toot toot.”

 

Nope, they sure don’t write songs like they used to.

You don’t get many chances in life to sing the words “rooty toot toot.” Better hop on this one.

Banjo player Charlie Poole is responsible for several classic recordings, and this week’s cautionary tale of love gone wrong is no exception.

Charlie had his own distinctive style of fingerpicking, known as…what else…”Charlie Poole style”, and tended to play out of “standard C” tuning (gCGBD). And that’s where I tend to play when adapting one of his pieces for clawhammer. It’s not always the best tuning for wordless clawhammer tunes (where double C often makes things a little easier), but it’s well suited for chord-based vocal backup.

This won’t be the last we hear from Charlie in the “Song of the Week” series!

Leaving Home

gCGBD tuning, Brainjo level 3

Leaving Home clawhammer banjo tab part 1

Leaving Home clawhammer banjo tab part 2

Notes on the Tab

In the tab above, you’ll note I’ve tabbed out both a “lead break” (something to play in between verses) and the “vocal backup” (what I play while I’m singing).

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Learn More About Breakthrough Banjo

 

Clawhammer Song of the Week: “I’ll Fly Away”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here to Get the Tab


Like it or not, popular culture has had a major impact on the story of the banjo and the people who play it.

And that impact has not always been kind.

Most notably in the “not always been kind” family is the infamous “Dueling Banjos” scene from the movie Deliverance, from which the enduring stereotype of the banjo player as toothless and uneducated took root (regrettably, the stereotype of the banjo player as a source of uncommon and surprising virtuosity failed to catch on…).

Banjo public relations were boosted a bit in the year 2000 with the release of the movie Oh Brother, Where Art Thou (oft referred to as OBWAT, cause who has time these days to either say or type all that?!).

That movie, or perhaps more accurately, the soundtrack to that movie, set in motion a resurgence in interest in traditional music and the 5-string that continues to this day. With it came a rise in popularity in folk acts that incorporated the banjo (Mumford and Sons, Avett brothers, etc.).

I think one could even argue that it sparked the golden age of independent open-back-banjo makers we find ourselves in now.

And the Deliverance-derived stereotype, while not fully eradicated by the OBWAT reputation rehabilitation, was at least replaced by a more expansive view of the music of the banjo and the people who make it.

I’m a big fan of OBWAT (and of the Coen brothers in general) and its soundtrack.

One of the songs on that soundtrack was “I’ll Fly Away.” I’m not certain I’d heard it before seeing the movie, but was instantly drawn to it once I did. No surprise then that is has the distinction of being “the most recorded gospel song.”

The hymn was written in 1929 by the prolific Albert E. Brumley (on a related note, if you notice a banner ad displayed in the bottom of my video, this is why. The song is still under copyright, and so ads are a youtube requirement for broadcasting recorded works that aren’t in the public domain).

Fittingly, the vocalists in the version used in the movie (for some reason, the soundtrack released another version by Allison Kraus and Gillian Welch) were backed by the sounds of….clawhammer banjo.

Here I’ve kept the song in a female friendly key so that Jules can take the lead. I should also note that it also sounds fabulous as a solo banjo tune.

I’ll Fly Away

gDGBD tuning, Brainjo level 3

i'll fly away clawhammer banjo tab part 1

i'll fly away clawhammer banjo tab part 2

Notes on the Tab

In the tab above, you’ll note I’ve tabbed out both a “lead break” (something to play in between verses) and the “vocal backup” (what I play while I’m singing).

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Learn More About Breakthrough Banjo

 

Clawhammer Tune of the Week: “Liza Jane”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here To Get The Tab

Liza Jane is one popular gal.

So much so that I’ve lost track of all the songs named in her honor.

There’s “Big Liza,” “Little Liza,”, “Li’l Liza Jane,” and then countless versions of just plain “Liza Jane.”

Yes, when it comes to songs about Liza, we have an embarrassment of riches.

And I’m on a mission to get to all of them (and perhaps even keep them all straight in my head once and for all)!

“Big Liza” was the subject of a prior Tune of the Week episode. Today’s “Liza Jane” is perhaps the one most commonly played in old-time jams, usually in the key of A, where I’ve played it here.

(“March Madness” Update: We’re down to the final 8 in the “Tune of the Week March Madness.” Click here to view the 8 remaining finalists, and cast a vote for your favorites

Liza Jane

aEAC#E tuning, Brainjo level 3

Liza Jane clawhammer banjo tab

 

Notes on the tab: 

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

[/su_note] brainjo larger musical mind

Clawhammer Song of the Week: “Been All Around This World”

Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!

Click Here to Get the Tab


I first heard this week’s song “Been All Around This World” (a.k.a. “Hang Me, Oh Hang Me”) off the Highwoods String Band album “Feed Your Babies Onions”.

If you’re not familiar with the legendary Highwoods, that needs to change. Everything they ever did is top notch, and Doug Dorschug’s vocal on this particular number is no exception.

It’s not entirely clear where this song originated. Sources (by that I mean Google) indicate the first recorded version was by Grandpa Jones in 1946, though it wasn’t an original composition.

The song also hit [semi] mainstream popularity once it became a staple of Grateful Dead performances.

It’s a terribly fun one to sing and perform. When else do you get the opportunity to sing while imagining your imminent demise from the gallows?

Been All Around This World

aDADE tuning, Brainjo level 3

been all around this world clawhammer banjo tab

Notes on the Tab

In the tab above, you’ll note I’ve tabbed out both a “lead break” (something to play in between verses) and the “vocal backup” (what I play while I’m singing).

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

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