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Clawhammer Tune and Tab of the Week: “Nancy Dalton”

Click Here To Get The Tab


Up this week is another tune that only recently appeared on my musical radar.

It comes originally from fiddler Jim Bowles of Kentucky, and has enjoyed a bit of a resurgence of late thanks to a version recently released by the great Dan Gellert. Dan is known for adding a healthy dose of grit and swing, which comes through clearly in this rendition. That includes several flatted 3rds and 7ths, which don’t tend to crop up much in the double C/D tuning, and make for a nice change of pace.

“Nancy Dalton” was introduced to me by way of my Georgia Jay-mate Justin Manglitz, who fiddles it about is well as a thing can be fiddled, and it has now taken up solid residence in our dance set list. And it’s Justin’s version upon which mine is based.

So consider my rendition to be three degrees of separation from the original.

(RELATED: If you’d like to jam with Justin, click here to check out the Banjo Players Edition of our recent Round Peak, Georgia album. It’s a fantastic way to build your jamming chops!)

It’s a raucous, fun tune, great for jamming (and dancing), and I imagine its propagation will continue!

Nancy Dalton

aDADE tuning, Brainjo level 3-4

nancy dalton clawhammer banjo tab part 1

nancy dalton clawhammer banjo tab part 2

Notes on the Tab

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Learn More About Breakthrough Banjo

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

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Clawhammer Song and Tab of the Week: “Darling Corey”

Click Here To Get The Tab


This banjo playing business just never gets old.

Last week, banjoist and master didgeridoo craftsman Kurosh Showghi suggested “Darling Corey” as a potential future Song of the Week installment.

As it turns out, it was already on my list of songs to add, though somehow I’d never really attempted to tackle it previously. A little digging turned up B.F. Shelton as the original source (though titled “Cora” there, but I think most everyone has since agreed that “Corey” rolls off the tongue a little easier) and gCGCC, or “triple C”, as the traditional tuning.

Now, on paper, triple C looks moderately absurd. Only Gs and Cs? And two strings tuned to the same exact pitch?

You’d think there’d be no way that would work.

You’d be so wrong.

Not only is it not absurd, it sounds magnificent, bathing your ears in a wash of droning banjo bliss. There may not be a better tune for showcasing all that is great about the banjo.

And to top it all off, it’s about whiskey making. And somebody gets buried.

Speaking of whiskey making, the stills pictured behind me in the video in all their glistening copper glory are from American Spirit Whiskey here in my hometown of Atlanta, GA. They were designed by ASW’s whiskey maker Justin Manglitz, who as you may know is also my Georgia Jay mate.

Unlike Darling Corey, he can safely operate this stillhouse in broad daylight. Thank you 21st Amendment.

And if Justin’s whiskey making talent is half as good as his fiddling, those stills will soon be distilling some of the finest brown liquor in the land.

 

About the Arrangement

I make quite a few rhythmic embellishments in this arrangement, primarily through a mix of skip notes, drop thumbs, and delayed hammer ons. I’ve tried to capture these in the tablature, but it will certainly help to listen to the video to understand how it should sound.

Or use this as a launching point and make it your own (it also might be good to start with the simpler vocal backup arrangement, which could easily double as a solo)! There’s a lot of room to play around with this one.

Darling Corey

gCGCC tuning, Brainjo level 3-4

Darling Corey clawhammer banjo tab part 1

Darling Corey clawhammer banjo tab part 2
Notes on the Tab

In the tab above, you’ll note I’ve tabbed out both a “lead break” (something to play in between verses) and the “vocal backup” (what I play while I’m singing).

Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

PRIOR SONG OF THE WEEK EPISODES

  • Episode 1: “Ain’t Gonna Work Tomorrow”
  • Episode 2: “Gumtree Canoe”
  • Episode 3: “Crawdad Hole”
  • Episode 4: “Oh Susanna”
  • Episode 5: “Freight Train”
  • Episode 6: “Grandfather’s Clock”
  • Episode 7: “Hop High Lulu”
  • Episode 8: “Been All Around This World”
  • Episode 9: “I’ll Fly Away”
  • Episode 10: “Leaving Home”
  • Episode 11: “Poor Orphan Child”
  • Episode 12: “Mr. Tambourine Man”
  • Episode 13: “Swanee River”
  • Episode 14: “Big Sciota”
  • Episode 15: “Roll In My Sweet Baby’s Arms”

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course.

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

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Clawhammer Tune and Tab of the Week: “Boatin’ Up Sandy”

Click Here To Get The Tab


Last month, preparations for an upcoming contradance required I add a few new tunes to my repertoire. One of them was this month’s selection: “Boatin’ Up Sandy.”

There are at least a couple of tunes by this name. The version presented here is often attributed to fiddler Owen “Snake” Chapman.

Yet, despite its origins as a fiddle tune, it makes for a great solo banjo piece, especially when presented at moderate tempo.

Played out of modal tuning, with its haunting tones and hypnotic rhythms it could easily double as a meditative mantra.

You may notice in the arrangement some fingerings you don’t encounter too often (the hammer on from the 3rd to 7th fret on the 1st string being one example). Not surprisingly, this original sounding tune calls for some original bits of technique.

I like finding tunes like this, where you can’t rely on well worn patterns to play them, but by necessity must find something original.

Boatin’ Up Sandy

aEADE (A modal) tuning, Brainjo level 3-4

boatin' up sandy clawhammer banjo tab
Notes on the tab: 

Notes in parentheses are “skip” notes. To learn more about these, check out my video lesson on the subject.

For more on reading tabs in general, check out this complete guide to reading banjo tabs.

Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Learn more about it here.

Learn More About Breakthrough Banjo

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

brainjo larger musical mind

Banjo Breakthrough: Jay Whitehair

“Banjo Breakthroughs” is a recurring series that highlights the successes of members of the Breakthrough Banjo course.

BANJO BREAKTHROUGH: Jay Whitehair

“Scary Progress”

 

On Breaking Out of the Rut

58 year old Jay Whitehair first picked up a banjo roughly 35 years ago, but it had lay dormant most of that time. As is so often the case, Jay would pick it up for a bit and then reach a plateau that he found it difficult to push through:

“Prior to Breakthrough Banjo, I always dug a hole in my home practice sessions and then fell into it. Boredom prevailed and then my banjo would end up in the closet again. “

Having already had a fair amount of playing experience at the start of the course, Jay learned how important a rock solid foundation is to future progress:

“I hadn’t played much in years. Then I recall starting Breakthrough and thinking I might skip a lot of the beginner section – But Josh thought I should take a look at it. I picked up lots of small tips and found it a challenge right from the start.

 

Jay On Finally Playing With Others

At the start of the course, Jay set the goal of playing in front of others in one year. Just a few months later, he’d conquered that goal…and then some.

“A goal of mine was to play in front of somebody one year ago… but by mid summer, I was leading an open play group. Scary progress….

After 35 years of fits and starts with the banjo, it would have been all to easy for Jay to conclude that he just didn’t have what it took to break free from the rut he often found himself in. But, thanks to his persistence and the right learning path, he’s now doing things he still finds hard to believe.

When asked of his favorite thing about Breakthrough Banjo, Jay replies:

“The progress… I was amazed how fast I was picking up tunes. Breakthrough should be called Breakaway…. that’s what happened…

It’s never too late.

Kudos to Jay for making his Breakaway.

Learn More About Breakthrough Banjo

 

 

The Immutable Laws of Brainjo: The Art and Science of Effective Practice (Episode 17)

The Laws of Brainjo

Episode 17: What Progress Really Looks Like

Progress-noI’ll bet this has happened to you:

On an ordinary day, just like any other, you pick up your banjo and starting plucking around. After a few minutes, though, you note that something doesn’t feel quite right. You feel clumsy, you can’t pick the strings as as cleanly as you’d like, and tunes that typically come easily feel like a struggle. It’s as if you’ve stepped into a time machine and gone back several months, or more.

Raising the Dead

We’ve discussed in prior episodes that learning the mechanics of banjo playing requires that we build new pathways, networks of connections between brain cells, that control the various aspects of playing. As our banjo playing skills improve, so does the number and complexity of those networks.

Furthermore, these are specific types of neural networks that we want build, ones that do not require input from the conscious mind for their execution. In the last episode, I introduced the term (borrowed from neuroscientist David Eagleman) “Zombie Subroutine” to describe them.

To progress down the timeline of mastery, we want to build a complete set of effective and efficient Zombie Subroutine for banjo playing, so that our picking becomes automatic.

Research on neuroplasticity, or the science of brain change, has shown us that, inside the brain, your first attempts at performing a new skill look very different than your attempts after the skill has been fully learned.

At both the molecular and structural level, the parts of your brain controlling your first awkward attempts to form the D chord shape, for example, will look quite different than your attempts after that skill has become automatic. Which means that between those two points in time, a lot of changes must take place inside the brain.

Learning Fast and Learning Slow

One helpful way to view skill acquisition is to divide the process into two types of learning, fast and slow.

Fast learning is, naturally, learning that occurs relatively fast, on the order of minutes to hours. Learning the digits of a new phone number, or remembering how a new melody goes, for example. These sorts of things are accomplished by physiologic changes in the brain that occur quickly, like adjusting the strength of connections between synapses (the region where brain cells communicate with each other).

Slow learning tasks, on the other hand, take longer. They take longer precisely because they can ONLY be accomplished by changes in brain physiology that take longer. Changes like the formation of new synapses, the sprouting of new dendrites, or even the whole-scale transfer of parts of the network from one region of the brain to another.

These are all processes that require days, if not weeks, to occur. Each of these processes has their own time scale, but they all take more time, on the order of days to weeks to complete.

Just how long depends on multiple factors, including the complexity of the skill being learned, as well how well prepared the brain is to learn said skill. And whether the brain is well prepared depends largely on on how thoughtful we’ve been with our learning sequence up to that point (one reason why the sequence of learning is so vital to success).

Most of the building of banjo playing Zombie Subroutines involves slow learning processes, which is why the purpose of practice, as mentioned in Brainjo Law #2, is not to get better right there and then, but rather to “provide your brain the data it needs to build a neural network.”

And based on what we know of the biology of network building, specifically the varied processes that support slow learning, we shouldn’t expect our progress to be in a straight line day to day. Depending on the skill involved, our progress might be day to day, but it very well might take longer.

And during the process of neural reorganization that facilitates slow learning, we’re unlikely to see significant improvements. We may even see dips in our performance, periods where it feels like we’ve actually regressed.

But, just as you’ve likely experienced these moments of apparent setbacks, I’ll bet you’ve also experienced the opposite: times where you’ve struggled with something for a while, perhaps even concluding that it’s just too difficult, when suddenly – BAM! – you can do it. With ease, in fact. It’s in these moments that your Zombie Subroutine, now complete, has just been brought to life.

The three P’s of success: Passion, Persistence, and Patience.

– Doug Bronson

Setting Expectations

In the beginning, your initial gains feel huge because, well, they are huge. The chasm between zero banjo skill and being able to play through your first tune is enormous. And, just as the year between your 40th and 41st birthday seems a lot shorter than the one between your 4th and 5th, it may feel as if your progress slows a great deal over time.

Furthermore, the longer you play, the better you get, the more sophisticated your mechanics, the more complex the Zombie Subroutines that support them become. And so they take longer to build. Taking longer to build means that the plateaus, the time between the creation of one network and the next, will get longer. This may give the impression that you’re not progressing, even though under the hood er…skull…things are in constant flux.

It could be all too easy to give up in these moments where we feel like we have ten thumbs. But, understanding that these moments may be progress in disguise can provide us the all-important patience we need to give things just a little more time.


Brainjo Law #18: Expect your progress to look like a staircase, not a straight line


Progress-yes

Back to the “Laws of Brainjo” Table of Contents

 

About the Author
Josh Turknett is founder and lead brain hacker at Brainjo Productions
 

View the Brainjo Course Catalog

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